" Abstract art" is an artist's contemplative personalized spontaneous expression that indulges in self explored experimentally techniques and innovative transformation to embrace the improvements change in perception and it's presentation which comprehends the optical rhythm of harmonious colours and the dynamic structure of graceful forms within a space of execution for creating unusual visual impact.
Personalized cognitive expression and perceptive experience have no barriers and boundaries to manifestation.
An artist's abstract is a pure blissful euphoria that attains self-realization of external expression for innovative exploration which radiates to the viewers with its luminosity and contributes visually to the art world.
Prof. Hemant Nagdive
An artist's maturity in expression blossoms as per the experience acquired in exploration by the thoughtful concept and skillful practice.
Prof. Hemant Nagdive
Divine is a sheer pleasurable feeling of deep involvement in a self-contemplation for extreme euphoria.
Prof. Hemant Nagdive
DESIGN always demands a continuous "CHANGE" in concept, cognitive"GROWTH" in thinking and cogitative "TRANSFORMATION" in presentation.
Prof. Hemant Nagdive
Andrew Newberg M.D. and Mark Robert Waldman, they discovered the specific neurological mechanism associated with the enlightenment experience - and how we might activate those circuits in our own brain. Andrew Newberg has also discovered that in the aftermath they have had profound, positive life changes. Enlightenment offers us the possibility to become permanently less stress - prone, to break bad habits, to improve our collaboration and creativity skills, and to lead happier, more satisfying lives. Newberg brings us a new paradigm for deep and lasting change.
“Meditation” is a concentration on the Self towards optimistic way of thinking with a feeling of compassion. Meditation makes a way to reach inside ourselves and search which is beyond our reach. Only disciplined concentration can look inward and sink inside deeper to create a positive energy. Meditation is a physiological and psychological aspect of the Self.
Andrew Newberg M.D. and Mark Robert Waldman, they discovered the specific neurological mechanism associated with the enlightenment experience - and how we might activate those circuits in our own brain. Andrew Newberg has also discovered that in the aftermath they have had profound, positive life changes. Enlightenment offers us the possibility to become permanently less stress - prone, to break bad habits, to improve our collaboration and creativity skills, and to lead happier, more satisfying lives. Newberg brings us a new paradigm for deep and lasting change.
“Meditation” is a kind of Self - introspection audits, inspects and investigates applicable correctness for particular object, thought or activity.
“Mindful Meditation” is a science of breathing and breathing is a science of how to inhale and exhale oxygen in heart. Correct breathing helps to oxygenate the bloodstream which consecutively oxygenate the brain through heart. Andrew Newberg M.D. and Mark Robert Waldman, they discovered the specific neurological mechanism associated with the enlightenment experience - and how we might activate those circuits in our own brain. Andrew Newberg has also discovered that in the aftermath they have had profound, positive life changes. Enlightenment offers us the possibility to become permanently less stress - prone, to break bad habits, to improve our collaboration and creativity skills, and to lead happier, more satisfying lives. Newberg brings us a new paradigm for deep and lasting change.
“Mindfulness Meditation” is a optimistic way of thinking subject to compassion achieves nothingness and achieved nothingness is an enlightenment. In enlightenment a feeling of heart oxygenate the brain to think via mind through mindfulness meditation. Andrew Newberg M.D. and Mark Robert Waldman, they discovered the specific neurological mechanism associated with the enlightenment experience - and how we might activate those circuits in our own brain. Andrew Newberg has also discovered that in the aftermath they have had profound, positive life changes. Enlightenment offers us the possibility to become permanently less stress - prone, to break bad habits, to improve our collaboration and creativity skills, and to lead happier, more satisfying lives. Newberg brings us a new paradigm for deep and lasting change.
“Mindfulness Meditation” develops a heightened state of awareness for self-perspective which gradually indoctrinate calmness and radiates a luminacity within ourselves. Andrew Newberg M.D. and Mark Robert Waldman, they discovered the specific neurological mechanism associated with the enlightenment experience - and how we might activate those circuits in our own brain. Andrew Newberg has also discovered that in the aftermath they have had profound, positive life changes. Enlightenment offers us the possibility to become permanently less stress - prone, to break bad habits, to improve our collaboration and creativity skills, and to lead happier, more satisfying lives. Newberg brings us a new paradigm for deep and lasting change.
I am here relating at my level a scientific view and studies of cognitive neuropsychology and how electrochemically forces change the inner functioning of the brain and starts reflecting in a small and subtle manner with a relevant effects. Stated by various learned scholars and researchers. Brain is made up of network of small cells called neurons that electrochemically to enable you to think, feel, and interact with the world around you as per stated by experts. Andrew Newberg M.D. and Mark Robert Waldman, they discovered the specific neurological mechanism associated with the enlightenment experience - and how we might activate those circuits in our own brain. Andrew Newberg has also discovered that in the aftermath they have had profound, positive life changes. Enlightenment offers us the possibility to become permanently less stress - prone, to break bad habits, to improve our collaboration and creativity skills, and to lead happier, more satisfying lives. Newberg brings us a new paradigm for deep and lasting change.
Buddha’s achieved nothingness is an enlightenment. While mindfulness meditation a kind of electrochemical power that charges, generates and activates a gravitational energy inside the brain and its purposeful energy inside the brain and purposeful functioning change the thing and produce a movement to expand an unique distinctive awareness and consciousness for novel perceptive views with cognitive thinking and reasoning which includes problem- solving and making decision with insightful vision, knowledge and understanding.
“Heart” nurtures and nourishes the cognitive feelings such as consciousness, imagination, perception, thinking, intelligence, judgement, language as well as non-cognetive feelings such as emotion, instinct, sentiment, and intuition; invisible mind carries these invisible ripples, waves and surges of cogetive non-cognetive feelings from heart to brain through neuron pathway and reacts in brain electrochemically as per stated above.
It is supremely innovative state of beings surely happens during “enlightenment”. Enlightenment is self-improvement for insightful perceptive thinking of feelings through opinion, perspective, and viewpoint.
“Enlightenment” is a mind’s perfection happens to brain while mindfulness meditation. In mindfulness meditation only a state of compassionate allows you to immerse deeply into your inner being which creates a feeling of tranquillity, quietness, stillness and serenity.
In this process heart the mind to calm the brain for “nothingness”. Nothingness is not empty or vacuum state of brain. As per German Physicist Warner Helsenberg uncertainty principle, that nothingness has a weight. Therefore, it has energy that is condensed and transformed into particles that is, into us. “Nothingness” takes a lot of efforts, attempts, and endeavors to achieve and only “Buddha” could do it. It is a difficult task, how to be done and how it is achieved by “Lord Buddha” nobody knows till today even through neurological standpoint and scientific lens. All are in state of confusion and doubt till today.
Prof. Hemant Nagdive
"DESIGN" always demands a continuous 'change' in concept, 'growth' in thinking, and 'transformation in presenting.
Prof. Hemant Nagdive
"DIVINE" means deeply immersed into inner consciousness for self-exploration that gives extreme euphoria and a sheer pleasurable feeling of deep involvement in self-contemplation for enlightenment.
Prof. Hemant Nagdive
To study the history of art is to study a change in art. In the studies of the history of art, art is a form of self-expression always subject to "CHANGE" and TRANSFORMATION" from the artist to artist, phase to phase, period to period, and generation to generation. Constructive and innovative "CHANGES" happen in the history of art which invites us to new experiences, new opportunities, and new ideas, it is a new journey of progress. To change the entire perspective of art is a sublime stance and it happens to see in the creativity of an artist, this narrates the history of art. The history of art also urges all of us to be creative with enlightened intelligence. "CHANGE" creates overall confidence within an artist and teaches you to see with your vision the world of art around you.
Prof. Hemant Nagdive
कला ही मानवाची मुक्त वैयक्तिक अभिव्यक्ती आहे कल्पनाशील संवादाची.
मूल्यांना आकारेद्वारे अभिव्यक्त करण्याची,
भावनांची अंतर्निहित शुद्धता व्यक्त करण्याची,
तसेच तिच्या निर्मितीच्या प्रक्रियेत,
कलाकाराच्या चिंतनशील अंतर्ध्यानातून अंतर्ज्ञान विकसित होते, व ते चिंतनशील अंतर्ज्ञान त्याच्या वैयक्तिक – अनुभवाला अंतर्दृष्टी देते. जी निर्णय घेण्याचे कौशल्य कलाकारात विकसित करते,
तर्कसंगत विचारांनाही प्रोत्साहित करते,
कलाकाराच्या निरीक्षणाची शोधवृत्ती, अंतर्गत दृष्टीक्षेपाला आकार देऊन, संवेदनक्षम भावनेला सुसंवादित करून,
आतील कल्पक दृष्टीला व्यक्त करून,
सौंदर्याच्या संवेदनशील दृष्टीलाही विकसित करते.
तसेच कलाकाराची व्ययक्तिक अभिव्यक्ती, आकलनशक्ती, कल्पनाशक्ती, सौंदर्यविषयक सहभागासह गुंतलेली असते. कलाकार कलेच समीक्षणात्मक, चिकीत्सक संश्लेषण व विश्लेषण खोलवर जाऊन परीक्षण करतो व त्याच्याशी संबंधित सिद्धांताच्या संदर्भ स्वताच्या कल्पक, अभिनव व सर्जनशील अभिरुचीशी वैचारिक व संकल्पनात्मकरित्या मुल्यांकन करून अचूक, तंतोतंत व काटेकोरपणे परिभाषित करतो.
ही कलाकाराची आत्म - अभिव्यक्ती त्याच्या परिपूर्ण अभ्यासाने बहरते
आणि त्या सर्वांवर, मुल्यांकन अध्ययन विषयक दृष्टीने केलेली सर्जनशील चिकित्सा माझ्या शैक्षणिक विचारांचा स्थायीभाव आहे.
तसेच सुक्ष्मदर्शी, विवेकी आकलनातून व त्यावरील स्पष्ट अभिप्रायाने व्यक्त केलेला तर्क हा माझा तात्विक दृष्टीकोन आहे.
ही परिवर्तनवादी चिकित्सा नव्हे,
तर विषयाचे मर्म व त्यातील उद्दिष्टांचा दृष्टीकोन व्यक्त न झाल्याने निर्माण होणारे गैरसमज दूर करणे हा हेतू आहे.
तसेच, अध्ययनविषयक सैधान्तिक चर्चा माझ्या दृष्टीकोनातून विश्लेषित करून मांडण्याचा एक प्रयन्त आहे.
तो चुकीचाही ठरू शकेल,
कलेचे तत्वज्ञान व त्यातील प्रस्थापित दृष्टीकोनाची शैक्षणिकदृष्ट्या उकल करण्याचा एक प्रयन्त आहे.
हा विचार स्विकारलाच पाहिजे किंवा मान्य केलाच पाहिजे असे नाही.
व्यक्त होणे हा माझा अधिकार व स्वभाव ही आहे.
असहमती, तीव्र मतभेद प्रकट करणे व विरोध करणे हा लोकतंत्राचा आत्मा, सार व वृत्ती आहे,
ती व्यक्त झालीच पाहिजे पण आपापल्या “स्तंभकृतीवर”, परिवर्तनवादी मतप्रवाहाच्या चिकित्सेला विरोध अपेक्षित असतोच पण कलेत प्रस्थापित दृष्टीकोनाशी असहमती दर्शविणे विवेकशून्य आहे.
Prof. Hemant Nagdive
Today modern aesthetics interpret and evaluate the pleasing appearance of art and appreciate its beauty and visual taste for the perceptive feeling of the senses which is a highly individual experience of the SELF.
But in my view, "aesthetic" in art is a sense of perception about discernment taste through the prudent decision for appraisal synthesis and analysis which is a personal experience of the SELF.
In philosophy, aesthetics in my view is an analytical approach to the appreciation of beauty only, it can't be a criticism related to any work of art, but concerned hallucinate that is criticizing; only the artist himself can be the best critic of his work of art.
" Aesthetic philosophers" can't interpret and evaluate a work of art, only they can analyze and synthesize the perception, appreciation, and production of a work of art.
In the history of art "art criticism " is a philosopher tool that makes visual audiences think with their interpretative evaluation discourse on physical features of a work of art.
Imposed philosophical criticism in art itself builds barriers in artists' inner expression and deterrents in creative manifestation.
But today "art criticism" is a searching methodology to observe and identify the aesthetic clues within a work of art through their descriptive, analytical, and synthetic discourses, debates, and arguments discussions.
In art "analytical criticism" ought to be a searching investigation of a creative process of innovative development given techniques and styles to enhance the art, it should not emaculate an artist's moralistic view of art.
आजचे आधुनिक व अभिनव सौंदर्यशास्त्र कलेच्या आल्हादक स्वरूपाचे निर्वचन आणि मूल्यांकन करते आणि इंद्रियांच्या अकालनशील भावनासाठी त्यातील सौंदर्य आणि दृक अनुभवाचे रसग्रहण करते जो स्वतःचा एक अत्यंत "वैयक्तिक " अनुभव आहे.
पण माझ्या दृष्टीने कलेतील "सौंदर्य " हे मूल्यांनात्मक संश्लेषण आणि विश्लेषण करण्यासाठी विवेकी अंतरदृष्टीने संबंधित रसिकतेचा दूरदर्शी निर्णय अर्थपूर्ण आकलनाने स्वतःच्या वैयक्तिक अनुभवाचे कथन करतो.
तत्वज्ञानात, सौंदर्यशास्त्र ह केवळ सौंदर्याचे कौतुक करण्यासाठी विश्लेषणात्मक दृष्टिकोन आहे, ती कोणत्याही कलाकृतीशी संबंधित टीका असू शकत नाही, मात्र संबंधिताला भास होतो की तो समीक्षा करतो, एकमेव कलाकार स्वतः त्याच्या कलाकृतीचा सर्वोत्तम समीक्षक असू शकतो.
सौंदर्याचा तत्ववेत्ता कलाकृतीचे विवेचन आणि मूल्यांकन करू शकत नाही ते फक्त आकलन, रसग्रहण व तीच्या निर्मितीचे विश्लेषण आणि संश्लेषण करू शकतात.
कलेच्या इतिहासात, टीका किंवा समीक्षा हे एक तत्वज्ञानी साधन आहे जे दृकप्रेक्षकांना त्यांच्या कलेच्या भौतिकिय वैशिष्ट्यांवर व्याख्यात्मक मूल्यमापन, प्रवचनासह विचार करण्यास प्रवृत्त करते.
कलेमध्ये लादलेली तात्विक टीका कलाकारांच्या आंतरिक अभिव्यतिमध्ये अडथळे निर्माण करते आणि सर्जनशील अभिव्यक्तिमध्ये प्रतिबंध आणि बाधा निर्माण करते.
परंतु आज कला समीक्षा एक शोध पद्धत आहे जे वर्णनात्मक, विश्लेषणात्मक आणि संश्लेषणात्मक प्रवचनांचा युक्तिवादी चर्चेद्वारे कलेतील सूचक निरीक्षनाने त्यातील सौंदर्य ओळखते.
विश्लेषणात्मक समीक्षा ही कलेतील सौंदर्य वाढविण्यासाठी नविन तंत्र आणि शैलीमध्ये नावीन्यपूर्ण विकासाची एक विवेचनात्मक शोध घेणारी सर्जनशील प्रक्रिया असायला पाहिजे, कलाकारांच्या कलेबद्धल असलेल्या मनोबलात्मक मतांचे खच्चीकरण करणारी नसावी.
Prof. Hemant Nagdive
Artist's emotional feelings of an abstract art always unblemished and its compositional presentation is impenetrable and that's why critics' wordy comments are always affixed shallow experience while observing a work of abstract art because critics words can explain the visionary concept of abstract art but their cognitive perception can't go beyond their grasp.
( कलाकारांची अमूर्त कलेची संवेदनशील भावना नेहमीच निर्दोष तसेच त्याची प्रस्तुत मांडणी दुर्बोध गहन असते आणि म्हणूनच अमूर्त कलेचे निरीक्षण करतांना समीक्षकांच्या शब्दबद्ध टिप्पण्या नेहमी उथळ अनुभवांना चिकटवल्या जातात कारण समीक्षकांचे शब्द अमूर्त कलेच्या दूरदर्शी संकल्पनेचे स्पष्टीकरण देऊ शकत नाहीत, त्यांची संज्ञानात्मक धारणा आकलन क्षमतेच्या पलीकडे जाऊ शकत नाही.)
Prof. Hemant Nagdive
In " design" perceptiveness of messages should be needed less efforts to understand
( "रचनेतील " संदेशाची आकलन ग्रहणक्षमता अल्प मानसिक प्रयासाने व्हायला पाहिजे )
Prof. Hemant Nagdive
Deep contemplative mindful equanimity seclusive meditation leads to "ENLIGHTENMENT "
Prof. Hemant Nagdive
Narcissistic intellectuals sometimes wonder in nigritude.
(आत्ममोही बुद्धिजीवी प्रज्ञावंत कधीकधी प्रखर अंधारात भटकतो.)
Prof. Hemant Nagdive
"BUDDHISM " is a modus vivendi, its absolute doctrine is based on fundamental cogitation of the scientific intellectual mindset which makes you first a sentient human being and then prevails you to think rationally.
( " बुद्धधम्म म्हणजे एक जीवन शैली आहे त्याची परिपूर्ण शिकवण वैज्ञानिक बुद्धिवादी मानसिकतेच्या मूलभूत विचारांवर आधारित आहे जी आधी तुम्हाला संवेदनशील माणूस बनवते व नंतर तर्कशुद्ध विचार करण्यास सक्षम व प्रवृत्त करते.)
Prof. Hemant Nagdive
"INTERPRETATION" is the process of attaching the intended connotation to the evaluated analytical perceptive views.
( "विवेचन " हे संवेदनशील दृष्टीकोनातून विश्लेषण केलेल्या मूल्यांकनाला अभिप्रेत अर्थ संलग्नीत करण्याची प्रक्रिया आहे.)
Prof. Hemant Nagdive
"COMPOSITION" is the process of experiencing the characteristics of introverted feelings of an artist and their extrovert expression through attributed physical features incorporated in a structure of art to analyze the evaluated perceptive views for their viewers.
( "रचना " ही कलाकृतीच्या संरचनेत अंतर्भुत केलेल्या संबंधित इंद्रियगम्य कल्पनाविलासद्वारे प्रकट कलाकारांची अंतर्मुख भावना आणि त्याने निरीक्षकांसाठी केलेली बहिर्मुख अभिव्यक्ती आहे तसेच ती मूल्यांकनासाठी केलेल्या आकलनात्मक दृष्यांचे विश्लेषण ही आहे.)
Prof. Hemant Nagdive
"PERCEPTION" is the process of attaining awareness with our sensory organs to give meaning to the evaluation.
( "आकलन " हे ज्ञानेंद्रियाद्वारे मूल्यांकनाला अर्थ देऊन जागरकता साध्य करण्याची प्रक्रिया आहे.)
Prof. Hemant Nagdive
An artist design his/her cognitive perspective of thinking and explore them through the components incorporated in the painting narrates the perception as a visual language of vision.
In the process of designing abstract art... the mind creates more depth and dimension for innovative cognitive thinking and its emotional feeling gradually develops insight to view narrative characters of his perspective and intent to explore in his creation as a visual language of emotion as well a visual language of expression.
The visual language of expression and its emotional values when significantly explored within conceptual space convey the message sense and identify features to form an opinion of evoked emotional feelings of an artist's thinking and its aesthetic appeal thereon triggers a glint of exhilarating expression and a glean of perceptive expression in the eyes of an observer while discerning work of art.
Prof. Hemant Nagdive
"Divine" means to discover hidden knowledge by mindful meditation and thereafter perceive intuitively it for self-interpretation, then creatively communicate with a discerning view it as knowledge. "Divine" vision of an artist enlightens perspective of thinking to transmit inherent purity of its expression as well as enlightened vision blossoms with the viewpoint of thinking.
("दिव्यत्व "म्हणजे जागरूक चिंतनयुक्त ध्यानाने अदृश्य ज्ञान शोधने आणि ते ज्ञान आत्म-स्पष्टीकरणानंतर अंतप्रेरणेनी संवेदित झाल्यावर त्याला सर्जनशीलपणे विवेकदृष्टीने संप्रेषित करणे. कलाकाराची दिव्य दृष्टी विचारांच्या दृष्टिकोन वाढवून त्याच्या अभिव्यक्तीची अंतर्निहीत शुद्धता प्रसारित करते तसेच प्रबुद्ध दृष्टी विचारांच्या दृष्टिकोनातून बहरते.)
Prof. Hemant Nagdive
In "design" perceptiveness of messages should be needed less mental effort to understand.
( "रचनेतील" संदेशाची आकलन ग्रहणक्षमता अल्प मानसिक प्रयासाने व्हायला पाहिजे.)
Prof. Hemant Nagdive
Every new emerging movement of art in their respective period defines a special philosophy of an artist's open concept for the new art form and project their emotions and made them visual for their respective observers how to look and what to look at any work of art for appreciation and criticism if seems to be needed.
Prof. Hemant Nagdive
A designer express conceptualize visuals and their exciting functional values creatively with heart, mind, and brain's eye.
Prof. Hemant Nagdive
Mistakes endorse an achievement.
Prof. Hemant Nagdive
Imposed philosophical criticism in art itself builds barriers in artists' inner expression and deterrents in creative manifestation.
Prof. Hemant Nagdive
Every signifier has its perception of thinking as per acquired literacy and gained knowledge in a respective subject.
Prof. Hemant Nagdive
Core values of contemporary thoughts carry an inner vision of creative concept and cogitation which converts the well-established views of thinking and reveals entrenched potentials of conventional thinking.
Prof. Hemant Nagdive
In a work of art "interpretation" is an individual experience based on scholarly critical visual analysis which is a thought process of acquired visual literacy that enhances understanding of an appreciation in terms of aesthetic appeal, reveals a meaning for communication, and try to understand a visual logic of an artist after a deep observation, then thereon make a necessary statement for argument.
Prof. Hemant Nagdive
Dignified taste of a work of art ultimately becomes a zestful taste for discerning passionate viewers.
Prof. Hemant Nagdive
When your work of art gives immense pleasure and joy, try to immerse in it to nurture and nourish yourself for further growth and development.
Prof. Hemant Nagdive
In abstract art, an artist gives a personal twist to his style of expression for a visual appearance. It is an artist's emancipated inventory expression that has his inner voice, one needs to visually listen to it with thoughtful attention because of its cognitive process which takes time to understand the inner values of incorporated contents.
Prof. Hemant Nagdive
Art is a needful communicative expression of human ideas, feelings, and desires through a visual language that is perceived by the eyes and interpreted by the brain.
Prof. Hemant Nagdive
In design "FORM" communicates the intended contents and in art "FORM" carries contextual contents.
Prof. Hemant Nagdive
It is an artist's responsibility to skillfully sculpt the mind of the viewers with an awareness of their purpose of creation and train their senses of knowledge with an understanding of their lens of perception that to search simplicity in a complex form and experiential and experimental rationality of abstract art as to interpret it easily through an artist's statement, the viewers also can see an artist's manifested emotional feelings through its physical features.
अमूर्त कलेच्या संस्लीष्ट आकरांमध्ये सुबोधतेचा शोध घेता येईल अशी जागरूकता प्रेक्षकांच्या मनाला कुशलतेने संस्कारीत व त्यांच्या अभिव्यक्तीच्या संवेदनांना अंतदृष्टीने प्रशिक्षित करण्याची जबाबदारी कलाकारांनी त्यांच्या विधानाद्वारे स्वीकारावी जेणेकरून प्रेक्षकांना अमूर्त कलेची अनुभवात्मक आणि प्रायोगिक तार्किकतेचे मूल्यांकन करता येईल व प्रेक्षकाला शोधता येईल कलाकारांच्या भावनिक संवेदना वैशिष्ट्यपूर्ण कल्पनाविलासातून अविष्कृत झाल्या किंवा नाही.
Prof. Hemant Nagdive
Buddha's insightful perception is ENLIGHTENMENT that is achieved through mindful meditation. Mindful meditation is a path towards contemplation which is also a process of deep thinking to solve a problem. Achieved enlightenment through contemplative meditation is the mental science of physiological and psychological makeup which is very difficult to achieve. How Buddha achieved it nobody knows till today.
(बुध्दाची विज्ञानवादी धारणा असलेली अंतरदृष्टी त्याचे आत्मज्ञान आहे जे चिंतनशील ध्यानाद्वारे प्राप्त होते. चिंतनशील ध्यान खोल विचारांकडे जाण्याचा मार्ग आहे जी समस्या सोडवण्याची वैचारिक प्रक्रिया आहे. चिंतनशील ध्यानाद्वारे प्राप्त आत्मज्ञान हे शारीरिक आणि मानसिक शास्त्राची अंतर्गत बौद्धीक घडण आहे आणि ते प्राप्त करणे अत्यंत कठीण आहे जे आजपर्यंत कुणालाही साध्य झालेले नाही. बुद्धाने ते कसे प्राप्त केले आजपर्यंत कोणालाही माहित नाही.)
Prof. Hemant Nagdive
Sense of conceited within intellectuals unknowingly converts into intellectual jealousy
(विचारवंतामध्ये गर्विष्ठ भावना नकळत बौद्धीक मत्सरात रूपांतरित होते.)
Prof. Hemant Nagdive
The "ego" develops within a human being due to a hyperbolic feeling of self-importance that is always self-annihilation which leads to narcissistic personality disorder.
("अहंकार "मनुष्याच्या आत विकसित होतो आत्म-महत्वाच्या अतिशयोक्तीपूर्ण भावनामुळे जे नेहमीच आत्म -विनाशाकडे नेते ज्यामुळे त्याच्यात आत्ममोही व्यक्तिमत्व विकृती उद्भवते.)
Prof. Hemant Nagdive
Buddhism is a science of cognitive understanding of rational thinking and cognitive understanding of rational thinking in SELF is an inner vision achieved by conscious thinking to shape and elevate an idealist insightful perception.
(बुद्ध धर्म तर्कशुद्ध विचारांच्या संज्ञानात्मक आकलनाची अंतरदृष्टी असलेले विज्ञाननिष्ठ शास्त्र आहे. स्वतःच्या तर्कशुद्ध विचारांच्या संज्ञानात्मक आकलनाची अंतरदृष्टी असलेले अंतर्ज्ञान जाणीवपूर्वक विचार करून प्राप्त केले जाते, जी अंतरदृष्टीच्या विज्ञानवादी धारणेला आकार देते व उन्नत करते.)
Prof. Hemant Nagdive
Imposed philosophical criticism in art itself builds barriers in artists' inner expression and deterrents in creative manifestation.
Prof. Hemant Nagdive
Every signifier has their own perception of thinking as per acquired literacy and gained knowledge in a respective subject.
Prof. Hemant Nagdive
Core values of contemporary thoughts carry an inner vision of creative concepts and cogitation which converts the well-established views of thinking and reveals entrenched potentials of conventional thinking.
Prof. Hemant Nagdive
Ignore the comments of a dilettante.
Prof. Hemant Nagdive
Only cognascente critics honestly give the right judgment to a work of art.
Prof. Hemant Nagdive
Criticism is unneeded to intangible emotions, feelings, and expressions of an artist.
Prof. Hemant Nagdive
Every new emerging movement of art in their respective period defines a specific philosophy of an artist's open concept for the new art form and project their emotions and made them visual for their respective observers how to look and what to look at any work of art for appreciation and criticism if seems to be needed.
Prof. Hemant Nagdive
A designer express conceptualize visuals and their exciting functional values creatively with heart, mind, and brain's eye.
Prof. Hemant Nagdive
An artist paints an expression of inner emotional feelings creatively with heart, mind, and brain's eye.
Prof. Hemant Nagdive
Mistakes endorse an achievement.
Prof. Hemant Nagdive
Erudite dedication and commitment for practice, grim determination for the purpose, and exalted devotion for achievement is an eleutheromania of an artist which fuels creativity in performance and his/her every work of art evaluates the profundity of attainment, reveals the skill of execution, and reflects the aesthetical execution of inner emotional feelings to arrest the viewer's vision for an in-depth conversation with the artist's expression.
Prof. Hemant Nagdive
An artist achieves" happiness" out of creative efforts and an observer enjoys its "pleasure" by the involvement of dedicated endeavors.
Prof. Hemant Nagdive
Vasudev Gaitonde's abstract paintings are hard for me to admire and appreciate, and couldn't dazzle also, but his paintings delighted the buyer's pride with a sense of self-importance, grandiosity, and superiority. The extravagant eulogy of Gaitonde's paintings was done by auction houses only, It is not so eximious in my view and it doesn't have mesmeric appeal as compared to its cost. It is not my pejorative interpretation or understanding, recognition by auction houses is subject to "dealing" how a buyer accepts their conditional offer, it is the buyer's narcissistic personality disorder in my view.
Prof. Hemant Nagdive
The aesthetic in the cognitive perception is an expression of an individual's viewpoint, perspective, opinion, and taste due to their visual literacy which nourishes insight and develops a vision for acquiring knowledge and thereafter expressing differently as personal opinion thereon, but its acceptability always personal.
(सौंदर्याचा विचार एखाद्या व्यक्तीचा संज्ञानात्मक आकलनातून वैयक्तिक दृष्टीकोनाने व अभिरुचीने व्यक्त होत असतो त्याच्यातील दृक साक्षरतेमुळे. जी त्याच्या अंतरदृष्टीला विकसित करते व अंतरज्ञानाला पोषकता प्रदान करते ज्ञानासाठी व त्यानंतर त्यावरील आपले वेगळे मत व्यक्त करण्यासाठी, परंतु त्याची स्वीकार्यता नेहमीच वैयक्तिक असते.)
Prof. Hemant Nagdive
An artist's natural propensity for pertinacious, the indefatigable pertinent efforts for effectuation, implacable endeavors for a creative approach, dour and grim determination for intellectual performance possess poiesis which leads to Elysium.
(कलाकाराला काहीतरी करीत राहण्याचा दृढनिश्चय ही त्याची नैसर्गिक प्रवृत्ती, अविश्रांत मेहनत करून प्रभावी परिणाम साधण्यासाठी त्याचे समर्पक प्रयत्न, सर्जनशील दृष्टिकोनाकरिता लागणारे अथक प्रयत्न व प्रयास, बौद्धिक कर्तृत्वाने कृतिपूर्ण सादरीकरणासाठी लागणारा गंभीर व कठोर निर्धार तसेच पूर्वी जे अस्तित्वात नव्हते ते निर्मित करण्याचे निर्दिष्ट त्याला आनंदित करते व त्याच्या परिपूर्ण भावनेच नेतृत्व करून मार्ग दाखविते
Prof. Hemant Nagdive
An artist's creative and experimental approach always triggers criticism and suffered a lot due to an attitude of breaking the barriers of ongoing contemporary traditions of art, because he has to develop his strategies, innovation in concepts as a vision and voice of his thoughtful expression meticulously designed and skillfully executed in his/her work of art. After some time transformational perspective of an artist becomes a cynosure of all intelligent spectators.
Prof. Hemant Nagdive
Views and values of our work of art are crucial significant than others' opinions, feelings, and comments.
Prof. Hemant Nagdive
In the effluxion of time the pattern, structure, appearance, and form of art always exquisite flowy in their content and context.
(कलेचे स्वरूप हे नेहमी प्रवाही असते, काळाच्या ओघात त्याचे अंतर्निहीत विषय व संदर्भ नितांत बदलत असतात.)
Prof. Hemant Nagdive
When we come to know the infinite dimensions of our existence, we develop in ourselves an experience of supreme bliss.
(जेव्हा स्वतःला आपल्या अस्तित्वाची व्याप्ती व त्याचे पैलू समजायला लागतात तेव्हा आमच्यात विकसित होतो परमानंदाचा अनुभव आणि त्याचा निखळ आनंद )
Prof. Hemant Nagdive
The aesthetic in the cognitive perception is an expression of an individual's viewpoint, perspective, opinion, and taste due to their visual literacy which nourishes insight and develops a vision for acquiring knowledge and thereafter expressing differently as personal opinion thereon, but its acceptability always personal.
( सौंदर्याचा विचार एखाद्या व्यक्तीचा संज्ञानात्मक आकलनातून वैयक्तिक दृष्टिकोनाने व अभिरुचीने व्यक्त होत असतो त्याच्यातील दृकसाक्षरतेमुळे. जी त्याच्या अंतरदृष्टीला विकसित करते व अंतरज्ञानाला पोषकता प्रदान ज्ञानासाठी व त्यानंतर त्यावरील आपले वेगळे मत व्यक्त करण्यासाठी, परंतु त्याची स्वीकार्यता नेहमीच वैयक्तिक असते.)
Prof. Hemant Nagdive
In the effluxion of time the pattern, structure, appearance, and form of art always exquisite flowy in their content and context.
(कलेचे स्वरूप हे नेहमी प्रवाही असते, काळाच्या ओघात त्याचे अंतर्निहीत विषय व संदर्भ नितांत बदलत असतात.)
Prof. Hemant Nagdive
The heart has a tendency to read the feelings of an experience, the brain has a tendency to express them through senses for perception .
Prof. Hemant Nagdive
"Abstract art" is an emotional appeal of incredibly deep values of artist self-expression acutely and gravely explored from within with immense talent and tremendous insight.
'Self-expression" of an artist is an innovative potential of his/her new brainstorm ideas in the form of intense 'inner emotional feeling' visible and perceptible.
"Inner emotional feeling" and its perceptive beauty lies in the interaction among the spectrum luminous contents and its arresting visual on the canvas pleasing to the senses.
Above all, legendary artists, genuine art critics, and intelligent spectators are perspicacious and have a poiesis of a positive view, their empirical spirit and scale can observe an abstract art in close and go beyond the pleasure and contentment to the sense, they try to understand an artist's core ideas of expression, an artist's meditative spectrum of divine expression, and an artist's ebullition in a space of presentation.
Prof. Hemant Nagdive
An artist can enjoy Supreme bliss only in his dedication.
(कलाकार केवळ त्याच्या समर्पणातच परम आनंद घेऊ शकतो.)
Prof. Hemant Nagdive
An artist shapes the perception of an inner glance.
(अंतर्गत दृष्टिक्षेपला कलाकार आकार देतो.)
Prof. Hemant Nagdive
A work of an eminent artist also narrates the painful journey of their struggles, many attempts of their dissatisfaction, the anguish of their depression, and their efforts to come up in the limelight as well as stature.
( प्रख्यात कलाकारांचे काम त्यांच्या संघर्षाचा वेदनादायक प्रवासाचे देखील वर्णन करते, त्यांच्या असंतोषाचे,असमाधानाचे प्रयास, त्यांच्या विषण्णतेतील क्लेष, उदासीनता आणि प्रसिद्धी तसेच उंचावर येण्यासाठीचे प्रयत्न विशद करते.)
Prof. Hemant Nagdive
Genius artists are always late bloomers and they did their well -known, excellent work in the autumn of life.
( अलौकिक बुद्धिमत्ता असणारे कलाकार उशिरा उमलतात आणि ते शरदऋतूतील जीवनात सुप्रसिद्ध, उत्कृष्ट आणि सर्जनशील कलेची निर्मिती करतात.)
Prof. Hemant Nagdive
The potential of an artist's brain activates in declining years for outstanding performance in creative work.
(उतरत्या वर्षात कलाकाराच्या मेंदूची क्षमता सक्रिय होते रचनात्मक व सर्जनशील कलाकृतीचे अप्रतिम सादरीकरण करण्यासाठी.)
Prof. Hemant Nagdive
Emancipits cynosure abstraction evolves with the concept that it's a unique form of visual expression in look and appearance manifest a creative impulse of an artist's passionate and optimistic vision of his inner voice imbued with a sense of the inventive and innovative form of presentation, distinctive and exclusive means of exploration, individualistic and personalized way of expression without the influence of any artist and style.
Prof. Hemant Nagdive
Great talents of experimental artists mature late and have got to bloom lastly due to their tendency to experiment and continuous changes in approach for creative expression, continuous changes in the subject matter for presenting inner feeling, emotion, and thought through visuals, and continuous style changes represent an artist's unique way of expression which describes the distinctive features and characteristic of the artwork through different phases and stages of creative development.
Prof. Hemant Nagdive
"Visual perception of colour vision and its application in art design"
Colour is a visual script, the artist uses it to make a visual language of consonance, which also radiates creative expression of users to read and to translate its meaning of feeling, emotion, and thought within a visual space of expression to enhance and evoke a euphoric and delirious mood.
An artist's and designer's perspective makes it visible for successful communication and conversation to their respective observers and viewers. Rhythmic movement of colour conveys visual melody and visual beat within a harmonious structure of an organized composition and design and expresses a feeling of ideas and concepts of an artist and designer to enthrall the audience of visual art.
Prof. Hemant Nagdive
Expressed logic of discerning perception and explicit opinion thereon is my philosophical perspective.
( सूक्ष्मदर्शी, विवेकी आकलनातून व त्यावरील स्पष्ट अभिप्रायाने व्यक्त केलेला तर्क माझा तात्विक दृष्टिकोन आहे.)
Prof. Hemant Nagdive
An artist should go in-depth and examine the critical analysis of art and relate its content within the context of relevant theory for his creative interest with accurate conceptual and critical language.
Prof. Hemant Nagdive
An artist's mind's eye schooled in depth his ability of logical and creative thinking, strengthens his insight and vision to search visible in invisible for ecstatic observers and contemplative viewers. Artist has never been in need to guide, direct, or advice to create a perceptive, cognitive, aesthetic, and emotional experience in their work of art. His interiority is always enlightened with creative vision. Why an artist should think and see-through others vision the visibility of art when he is competent to see and understand the aesthetic potential and its values, and quality excellence of expression within his work.
The political perspective of art, aesthetics, criticism, and potential of its critical theory creates confusion and leads to complexity and dispute in an opinion. Many artists were victimized due to the political conspiracy of art its conflicting interpretations, opinions, and approaches.
Analytical philosophy of perception and interpretation into a different perspective of art, aesthetic and their abiding notions and contentions among notable art critics sometimes numb the brain due to their critical and controversial interpretive discourses blended with conspiracy and politics art materializes due to psychological order often goes unsaid but happens while brain war for the battle of existence.
Prof. Hemant Nagdive
"UNDERSTAND VISUAL LANGUAGE OF ABSTRACT ART"
In abstraction, a graceful association of forms skillfully executed within a space of expression creates visual harmony with the characteristics of colors, forms, shapes, and lines, they also are the means to explore the visual perception of emotional bonding of intense feeling passionate performance of an inner expression of an artist's perspective, view, and skill of execution.
Creative and expressive dimensions of an abstraction contain emotional, aesthetic, and spatial attributes that give a voice and meaning for "aesthetic perception"," cognitive perception" and "aesthetic interpretation".
"AESTHETIC PERCEPTION" helps to understand inherent sensory values of incorporated elements that aesthetically appeared within a space of execution and evokes relevant feelings during perception.
"COGNITIVE PERCEPTION" helps to understand the innermost potential of visual elements incorporated into an artist's expression and its style of expression create and constitute a view for aesthetic interpretation and, "AESTHETIC INTERPRETATION" helps to understand the insightful visual expression of perceptual emotions of an artist's vision makes visible a visual language of abstract art' in the mind's eye.
Prof. Hemant Nagdive
To understand a vision of artists is difficult to percept and hard to interpret because of its invisibility in visible and visibility in invisible.
Prof. Hemant Nagdive
Art is an endless struggle of a striving artist in search to achieve an excellent vision for his creation, he always enjoys countless hours of his incredible journey of achievement in the thrill of creative efforts, attempts, and experiments.
Prof. Hemant Nagdive
An artist paints the perception of his vision from a deeper perceptive. Learn to enjoy his expression without any comment, opinion, reaction, criticism, judgment, and remark.
Prof. Hemant Nagdive
Creativity enhances the ability of intellectual thinking, triggers the potential of insightful ideas, thoughts, and imaginations nourished with purpose and meaning which leads to invention and innovation to design novel values of its intention.
Prof. Hemant Nagdive
A profound, perceptive, and thoughtful insight makes a person visionary in imaginative, critical, and creative thinking to convey the concept conceived in the mind through the heart to the brain.
(विद्वत्तापूर्ण, संवेदनशील आणि विचारशील अंतरदृष्टी, हृदय आणि बुद्धिद्वारे प्रेरित मनातील संकल्पना व्यक्त करण्यासाठी एखाद्या व्यक्तीला काल्पनिक, चिकित्सक, समीक्षणात्मक व सर्जनशील विचारांनी दूरदर्शी बनवते)
Prof. Hemant Nagdive
Artist is a yearning seeker deeply involved in the austerity of art possesses an intense aspiration for a goal, but sometimes unable to reach an intended goal and objective even by the effort, skill, or practice also, because of the feeling of an inadequate creative and cognitive thinking.
(कलाकार कला कल्पनेत तळमळणारा, खोलवर सहभागी झालेला तपस्वी शोधक व साधक इच्छित ध्येयासाठी तीव्र आकांक्षा बाळगतो, परंतु कधीकधी अगदी प्रयत्न, कौशल्य किंवा सराव करून देखील इच्छित ध्येय गाठण्यात अक्षम ठरतो सर्जनशील व संज्ञानात्मक विचारा अभावी.)
Prof. Hemant Nagdive
"Beauty" doesn't lie in a pleasing appearance of "form" but it exists in a striking impression of "expression" of an inner the glance that has an unusual depth of feeling and emotion congruent expressive interpretation for the perceived.
Prof. Hemant Nagdive
The appearance of form has an external look. Expression of form has an inner glance.
Prof. Hemant Nagdive
An artist reaches zenith by his sheer talent in creativity, efficacious efforts in execution, and incredible achievement in a presentation carve a niche in the art world.
Prof. Hemant Nagdive
n artist shapes the perception of the inner glance to convey emotional feelings by expression through the visible appearance of form design in a harmonious way.
( कलाकार अंतर्गत दृष्टिक्षेपाचे आकलन करून संवेदनशील भावना दृश्यमान स्वरूपातील आकाराद्वारे अभिव्यक्त करतो, सुसंवादीत कलात्मक रचनेच्या माध्यमातून.)
Prof. Hemant Nagdive
The viewer should be a yearning seeker to comprehend the inner glance of an artist.
(एखाद्या कलाकाराच्या अंतर्गत दृष्टिक्षेपाचे आवरण समजण्यासाठी दर्शक तळमळणारा साधक असावा.)
Prof. Hemant Nagdive
Artist blooms with the grace of practice to perfection.
(कलाकार परिपूर्णतेच्या अभ्यासाने बहरतो.)
Prof. Hemant Nagdive
The contemplative concentration of mind is silent, quiet, and perform to think, feel, and paves a path for meditation to go within the inner self for a divine experience of oneness and nothingness to achieve enlightenment, which explores inner dimensions and process attentively intended objectives as to drill and disciplines them in a particular order for a specific purpose.
( मनाची चिंतनशील एकाग्रता पूर्णपणे शांत व निश्चल असते भावना व्यक्त करण्यासाठी आणि ध्यानासाठी मार्ग तयार करते आत्मज्ञान प्राप्तीसाठी व शून्यतेच्या एकत्व व दिव्यत्व अंतर्मनात अनुभवाण्यासाठी जे अंतर्गत परिमाणांचे अनवेशन करते आणि इच्छित उद्धिष्ठानवर लक्षपूर्वक प्रक्रिया करून विशिष्ट क्रमाने त्यांना अनुशासित करते आणि शिस्त लावते विशिष्ट हेतू साध्य करण्यासाठी.)
Prof. Hemant Nagdive
The innovative creation of abstract art is a significant contribution to the development of art which is a new visual language of the inner expression of an artist and its thought-provoking inventive notions is an accurate depiction of an artist's passionate emotional upsurge of inner feelings experienced in the spirit of visual expression through incorporated attributes and its skillful characterization
(अमूर्त कलेची नावीन्यपूर्ण निर्मितेचे कलेच्या विकासात महत्वपूर्ण योगदान आहे जी कलाकाराच्या अंतस्थ अभिव्यक्तीची दृक भाषा आहे व त्यातील विचार प्रवर्तक संशोधन कल्पना, कलाकाराच्या अंतर्गत संवेदनाच्या आवेगयुक्त भावनिक उठावाची दृक अभिव्यक्तीच्या भावनेने अनुभवलेले व अंतर्भुत व् वैशिष्ट्याद्वारे सर्वहेतु आणि उद्धीष्टे कौशल्यपूर्ण केलेले अचूक चित्रण आहे.)
Prof. Hemant Nagdive
Achieved "divinity "in an introspective meditation enhances the perspective of the inner vision, sensationize cognitive thinking, and activates sight for the mental perception of objectives to search interpretative thoughtful expression.
(अंतर्मुखात्मक ध्यानात प्राप्त झालेले "दिव्यत्व" अंतर्गत दृष्टीचा परिदृश्य व संज्ञानात्मक वैचारिक अनुभूती वाढवून तिला संवेदित करते आणि उद्धीष्टांच्या मानसिक आकलनासाठी दृष्टी सक्रिय करून व्याख्यात्मक विवेकी अभिव्यक्तीचा आणि स्पष्टीकरणात्मक विचारशील अभिव्यक्तीचा शोध घेते.)
Prof. Hemant Nagdive
Painting is a visual narration of an artist's expression. Voice and vision of visual expression is an outlet for the inner urge of an artist's deep insight to communicate emotional feelings of his / her thinking through the characteristic of elements and principles of art exposed with a pleasing appearance, great accuracy, and high -sensitivity brings passion into the presentation which is the perceptive means and innovative medium of expression to enhance the visual taste for visual pleasure.
Prof. Hemant Nagdive
Mindfulness is a meditative state that enhances the euphoric experience of creativity in the process of producing a work of art.
(चेतना ही चिंतनाची अवस्था आहे जी कलाकृती निर्मितेच्या प्रक्रियेत सर्जनशीलतेचा आनंददायक अनुभव वाढवते.)
Prof. Hemant Nagdive
A feeling of intense disquiet makes an artist creative in expression.
(तीव्र अस्वस्थेची भावना एखाद्या कलाकाराला अभिव्यक्तिमध्ये सर्जनशील बनवते.)
Prof. Hemant Nagdive
Nourish yourself in difficult moments to strengthen inner sources for hard work to achieve phenomenal success.
Prof. Hemant Nagdive
Signature strength enhances the perspective of personal values, expatriate and escalates your inner vision as well as nourish your soul, mind, and spirit in a different form with a new approach.
Prof. Hemant Nagdive
Beauty in "art" is an aesthetic pleasure of an artist's perspective in looking at its ocular appearance for the visual sense of complete contentment and also it's intense feeling in divine euphoria delights the senses of viewers for cognitive perception and interpretation thereon. In art cognitive perception is subject to empiricism. The philosophical aspect of empiricism is that knowledge comes only from sensory experience. (Here cognitive is referred to as empiricism. In empiricism, knowledge comes only from sensory experience.)
कलेतील सौंदर्य हे कलाकाराच्या अभिरुचीपूर्ण दृष्टीकोनाचा आनंद आहे, त्यातून दिसतो त्याच्या पूर्ण समाधानी असलेल्या दृश्य भावनेच्या नेत्रीय आभास आणि दिव्य आनंदाची तीव्र भावना व्यक्त होतात संज्ञानात्मक आकलनाने व प्रेक्षकांच्या संवेदना आनंदित होतात अर्थबोधनाने. (ह्यात संज्ञानात्मक आकलन हे अनुभववाद म्हणून संदरभीत केलेला आहे. अनुभवोत्तर ज्ञान फक्त संवेदनेसंबधीच्या अनुभवातून येते.)
Prof. Hemant Nagdive
Beauty in "design" is an aesthetic pleasure from a designer's perspective in exposing its utilitarian purpose for the visual sense of taste and its analogousness in concinnity delights the senses of users for cognitive knowledge and information thereon. In design cognitive knowledge is subject to rationalism. In rationalism, the experience is the foundation of positive assurance (certainty) in knowledge. The philosophical aspect of rationalism is that any view appealing to reason as a source of knowledge. (Here cognitive is referred to as rationalism. Experience in rationalism is the foundation of certainty in knowledge.)
संकल्पनेतील सौंदर्य हे अभिकल्पकाच्या अभिरुचीपूर्ण दृष्टिकोनाचा आनंद आहे, त्यातून उपयोगावादी दृश्य हेतूची दृत अभिव्यक्ती आणि त्याच्या सुंदर मांडणीतील एकरूपता उघडकीस येतात संज्ञानात्मक ज्ञानाने व प्रेक्षकांच्या संवेदना आनंदित होतात अर्थबोधनाने. संकल्पनेमध्ये संज्ञानात्मक ज्ञान तर्कवाद किंवा युक्तिवादाच्या अधीन आहे. तर्कवादाचा अनुभव ज्ञानातील निश्चिततेचा किंवा सकारात्मक हमीचा पाया आहे. ज्ञानाचा स्रोत म्हणून तर्क करण्यास आकर्षित करणारे कोणतेही दृश्य बुद्धिमतेच्या किंवा तर्कवादाच्या तत्वज्ञानाविषयक पैलू आहे. (यात संज्ञानात्मक ज्ञान हे युक्तीवाद म्हणून संदर्भीत केलेला आहे. युक्तिवादाचा तर्कवादाचा अनुभव ज्ञानातील निश्चिततेचा पाया आहे.)
Prof. Hemant Nagdive
The seductive engaging and aesthetically pleasing of abstract art is in its adroitly and adeptly eximious execution of creative insight in a space of expression as an exploration of the inner voice of an artists' vision, perception, and feeling.
Prof. Hemant Nagdive
A work of art is an explored vision of an artist's inner voice and its aesthetic beauty is in an artist's inner voyage of an aeonian search and incessant journey for innovative exploratory endeavors to satiate the senses through creative expression.
(कला ही कलाकाराच्या अंतर्गत अभिव्यक्तीची अनवेषण केलेली दृष्टी त्यातील अभिरुचीपूर्ण सौंदर्यानुभव म्हणजे सर्जनशील अभिव्यक्तीद्वारे एखाद्या कलाकारने इंद्रियांच्या तृप्तीसाठी नावीन्यपूर्ण संशोधनात्मक प्रयत्नाच्या शाश्वत शोधाची आंतरिक यात्रा व अविरत प्रवास आहे.)
Prof. Hemant Nagdive
Artist is an ascetic seeker who sinks deep within himself for the attainment of expression and its performance excellence.
कलाकार एक तपस्वी साधक आहे जो अभिव्यक्तीच्या प्राप्तीसाठी आणि कार्यक्षमतेच्या उत्कृषतेसाठी स्वतःमध्ये खोल बुडतो.
Prof. Hemant Nagdive
"Objective beauty" is an intrinsic expression (achieved by intellectual performance and insightful execution) and, "Subjective beauty is an extrinsic impression (interpreted by emotional appreciation and thoughtful opinion).
"वस्तूनिष्ठ सौंदर्य " आंतरिक अभिव्यक्ती आहे.(अंतरदृष्टीने निष्पादन आणि बुद्धिनिष्ठ सादरीकरणाने साध्य केलेले) "व्यक्तीनिष्ठ सौंदर्य " बाह्य प्रभाव आहे. (विचारशील अभिप्रायाने आणि भावनिक अधिमूल्यनाने अर्थ विशद केलेले).
Prof. Hemant Nagdive
In the painting," perception" is a process of feeling to understand the logical philosophy of the implicit explication strategy of an artist.
कलेमध्ये "आकलन "ही एक भावनिक प्रक्रिया आहे, जिथे कलाकार त्यातील अंतर्निहीत स्पष्टीकरणाचे धोरण व तंत्र कौशल्य तारकी्क तत्वज्ञानाने अर्थबोधित करतो.
In the painting" interpretation" is a process of thinking to explicate a logical philosophy of understanding the strategy of an observer.
कलेमध्ये " अर्थबोधन " ही एक वैचारिक प्रक्रिया आहे, जिथे शोधकर्ता त्यातील अंतरदृष्टीचे धोरण व तंत्र कौशल्य तारकी्क तत्वज्ञानाने स्पष्टीकरणासह सादर करतो.
Prof. Hemant Nagdive
With creative efforts, an"artist" expresses beauty (inner personal perception)in objective execution of contemplative conceptualized emotional feeling for perceptive interpretation alike to please the senses.
सर्जनशील प्रयत्नाने कलाकार सौंदर्य (अंतस्थ वैयक्तिक संवेदन) अभिव्यक्त करतो चिंतनशील संकल्पनात्मक भावस्पर्शी संवेदनेच्या विषयनिष्ठ व वस्तूनिष्ठ अंमलबजावणीत यथार्थदर्शी दृष्टिकोनात्मक आकलणासाठी तसेच इंद्रियांना संतुष्ट व आनंदित करण्यासाठी.
With continuous endeavors, "viewer" searches beauty (outer personal perception) in subjective observation of contemplative conceptualized emotional feeling for interpretive perception alike to experience the meaning and intention.
निरंतर प्रयासाने प्रेक्षक सौंदर्य (बाह्य वैयक्तिक आकलन) शोधतो चिंतनशील संकल्पनात्मक भावस्पर्शी संवेदनेच्या व्यक्तिगत व व्यक्तीनिष्ठ निरीक्षणात, विवेचनात्मक व अर्थाबोधनात्मक आकलणासाठी तसेच कलेतील अर्थपूर्ण अनुभव निर्वचन व विशद करण्यासाठी.
Prof. Hemant Nagdive
Unless an artist achieves an ecstasy of expression he can't execute an exhilarating intensity of emotions and descend them within space of performance.
जोपर्यंत एखादा कलाकार अभिव्यक्तीचा परमानंद प्राप्त करीत नाही तोपर्यंत तो आपल्या भावानांची उत्तेजक तीव्रता सादरीकरणाच्या जागेत अवतारीत करू शकत नाही.
Prof. Hemant Nagdive
Abstract art is an enigma but eunoia behind its creation. Saiyad Haidar Raza's elysian geometrical abstraction with meraki and ardour divulge an inner voyage of self-expression, self-exploration and self-discovery.
अमूर्त कला समजण्यास अवघड आहे परंतु तिच्या निर्मिती मागे सुंदर विचारसरणी आहे. सैयद हैदर रजा यांच्या सर्जनशीलतेने, अंतकरणाने, उत्सुकतेने, उत्साहाने, उत्कटभावनेने व अथकप्रयत्नाने निर्माण केलेली भौमितिक कलाकृती आत्म -अभिव्यक्तीची व आत्म -शोधाची अंतर्गत यात्रा दर्शविते.
Prof. Hemant Nagdive
Meticulous masterpiece outlandish appearance of Piet Mondrian's envisaged with the grid of geometrical abstraction, its conspicuous captivating look pensively and gingerly designed entice and enveigle you and arrest your vision, its pleasant calmness within different space division created due to their vertical and horizontal rectilinear organisation of distinct geometrical forms have mental energy offers you an emotive language of expression and its fascinating potentials enlightens, educates and enthrals discerning and insightful viewers, its optical density of harmonious contrast colours created due to their refraction values enhance the interaction in the visual composition and also a psychological perception of Piet Mondrian's colour vision and its spectral energy induces a feeling of pleasure, excitement and cheerfulness provides calmness to the eye and brain due to intensity of illumination which creates a vigorous colour contrast in the canvas and allows you to jaunt in the space of expression.
Prof. Hemant Nagdive
An artist's avidity always insalubrious him to his last breath
(एखाद्या कलाकारांची उत्कट इच्छा त्याला शेवटच्या श्वासापर्यंत त्रास देते.)
Prof. Hemant Nagdive
“Abstract art” is an emotional appeal of incredibly deep values of an artist's self-expression acutely and gravely explored from within with immense talent and tremendous insight.
“Self-expression” of an artist is an innovative potential of his new brainstorm ideas in the form of intense inner emotional feeling visible and perceptible.
“Inner emotional feeling” and its perceptive beauty lies in the interaction among the spectrum luminous contents and it's arresting visual on the canvas pleasing to the senses.
Above all legendary artists, genuine art critics and intelligent spectators are perspicacious and have a poiesis of positivistic view, their empirical spirit and scale can observe an abstract art in close and go beyond the pleasure and contentment to the sense, they try to understand an artist's core ideas of expression, an artist's meditative spectrum of divine expression and an artist's ebullition in a space of presentation.
Prof. Hemant Nagdive
Beauty is an evoked value and aesthetic is an observed value of emotional feelings aroused and triggered due to creative expression in audio and visual perceptible performance and its pleasing appearance to the senses.
Prof. Hemant Nagdive
A look of the outstanding manifestation of S. H. Raza's geometrical abstraction and its appearance evokes a meditative feeling within the composition due to its graceful, alluring and contemplative harmonious colours and phenomenal beauty of forms divinely-inspired by its purity which leads to spirituality and fascinate the spectators.
Prof. Hemant Nagdive
Every painting speaks its voyage, it doesn't requires an artist's elucidation.
Prof. Hemant Nagdive
In painting, lack of vision and voice in self-expression, lack of innovative personal strategies in a thoughtful expression and lack of meticulous personal appearance in the development of creative expression doesn't allow the spectators to go deep into being.
Prof. Hemant Nagdive
Today word "beauty" featured with multiple aspects, its cognitive perception differs from person to person and no one can confidently excoriate and criticize his/her right or wrong assertion.Today word "beauty" featured with multiple aspects, its cognitive perception differs from person to person and no one can confidently excoriate and criticize his/her right or wrong assertion.
Prof. Hemant Nagdive
Abstraction"is a new innovative revolution in the significant development of art which is a new visual language of the inner expression of an artist. To search an artist's inner sense of deep expression and to imbibe its narration with critical insight is a difficult task because abstract art needs time to convey the quiddity of its inner expression.
But keen viewers, pass comments, make critical remarks, and interpret its look while observing an exquisitive presentation and quizzical appearance of abstract art.
(" अमूर्तता " ही एक नवीन सृजनशील अभिनव दृक क्रांती आहे कलेच्या महत्वपूर्ण विकासात जी कलाकाराच्या अंतस्थ अभिव्यक्तीची दृक भाषा आहे. कलाकाराच्या त्या अभिव्यक्तीची अंतर्गत भावना शोधणे तसेच समीक्षणात्मक अंतर्दृष्टीसह तिचे वर्णन आत्मसात करणे ही सुद्धा एक कठीण व अवघड काम आहे, कारण अमूर्त कलेला त्याच्या अंतर्गत अभिव्यक्तीची तत्व व सार व्यक्त करण्यासाठी वेळेची आवश्यकता असते. मात्र उत्सुक दर्शक स्वतःची उत्तरे शोधतात, अभिप्राय व्यक्त करतात, चिकित्सक भाष्य करतात, आणि त्यांच्या दृष्टिक्षेपाचे अर्थ विशद करतात अमूर्त कलेच्या कुतूहलपूर्ण मांडणीला आणि त्याच्या प्रश्नार्थक आभासाला पाहून. )
Prof. Hemant Nagdive
Art should not be a means of furnishing gratification of the senses and opulent design of a wall.
( कला ही इंद्रियांची तृप्ती करणारे साधन आणि एखाद्या भिंतीची आकर्षक रचना नसावी अथवा त्या भिंतीची समृद्ध आकृतिबंध होता कामा नये.)
Prof. Hemant Nagdive
Any work of art is a notion of self-realization while contemplating it, experience the savor of its beauty from the inner sanctum of the heart (mind).
( कोणतीही कला आत्मप्रचितीचा अविष्कार आहे, तिचे अवलोकन करतांना हृदयाच्या (मनाच्या) अंतःकरणातून त्या कलाकृतीच्या सौंदर्याचा आस्वाद अनुभवा.)
Prof. Hemant Nagdive
If an expression in painting is indeed a seductive engaging, your innate hunger is fruitful for the attainment.
( कलेतील अभिव्यक्तीत खरोखर खिळवून ठेवणारी मोहकता असल्यास आपल्या यशप्राप्तीची अंगभूत प्रबळ इच्छा फलदायी आहे.)
Prof. Hemant Nagdive
"Creativity" is not merely a sudden happening of an idea and concept, it is a consequence of commitment to persistence, aspiration, and dedication.
( सर्जनशीलता केवळ अचानक घडलेली अनपेक्षित कल्पना आणि संकल्पना नव्हे तर चिकाटी, आकांक्षा आणि दृढनिश्चयतेशी असलेल्या बांधिलकीचा परिणाम आहे. )
Prof. Hemant Nagdive
Prof. Hemant Nagdive
"Colour" is a property of visible light in the form of visual energy and its vibrations create a unique feeling of depth with various values and chroma and reacts to human vision with the physical and psychological outcomes. It is an effectual and efficacious expressive tool in an abstraction. Its thoughtful, careful and calculated application enhances the perception, creates emotional values of mood and feeling and its dimensions create depth in visual perspective in a space of expression with a pleasing arrangement of its various strength which changes value structure of the form and shape to construct, compose and create a painting and illuminate the visibility of contextual contents and its harmonious appearance in look.
Prof. Hemant Nagdive
A work of art is an expression of an artist's self-reflected consciousness from his conscientious contemplation. Self-reflected consciousness means an artist's own introspective examination and expression of emotional feelings and thoughts and realization of its existence and presence.
Prof. Hemant Nagdive
कला ही एखाद्या कलाकाराच्या प्रामाणिक चिंतनातून अभिव्यक्त झालेले त्याचे आत्म -प्रतिबिंबित चैतन्य आहे. आत्म -प्रतिबिंबित चैतन्य म्हणजे, कलाकाराने स्वतःच्या संवेदनशील भावना व विचारांचे काळजीपूर्वक केलेली आत्मनिरीक्षणात्मक अभिव्यक्ती.
Prof. Hemant Nagdive
Different is hard to achieve
Similar is easy to follow.
Prof. Hemant Nagdive
Design an emotion highly visual in a perceptible appearance.
Prof. Hemant Nagdive
Observe more than to feel, sometimes feeling misleads to form an opinion to judge.
Prof. Hemant Nagdive
Thought creates a spirit of conciousness.
(विचार चैतन्यशक्ति निर्माण करतो.)
Prof. Hemant Nagdive
Abstract Art needs time to convey the quiddity of its inner expression.
(अमूर्त कलेला त्याच्या अंतर्गत अभिव्यक्तीची तत्व व सार व्यक्त करण्यासाठी वेळेची आवश्यकता असते.)
Prof. Hemant Nagdive
Expressivity of a work of art is always caused by its meaningful constructive implementation of semantic structures (Meaning of elements of art) and syntactic structures (grammar of principles of art) which constitute coherent forms and conciliate composition with its logical interpretation to create a pleasing visual harmony for emotive expression, aesthetic appreciation and cognitive perception.
(कलेची अभिव्यक्त होण्याची गुणवत्ता, त्याच्या मुलतत्वांची, रचनेच्या नियमानुसार केलेली प्रभावी मांडणी तसेच त्यांच्या तत्वांची अर्थपूर्ण संरचनेमुळे निर्माण झालेली घटकजनित आकारांची सुंसबध्दता, व सुसंगत रचनेमुळे त्याच्या तार्कीक अर्थबोधनाने तयार झालेली दृक ससंवादातील आनंददायक व आल्हाददायक सूत्रबध्दता कारणीभूत ठरते, भावनिक अभिव्यक्ती, सौंदर्यनुभवाशी संबंधित आनंद व सज्ञानात्मक धारणा किंवा दृष्टीकोन निर्माण करण्यास.)
Prof. Hemant Nagdive
1 Transcendent beauty of MIND lies in its thinking to enlighten intellectually.
( बौध्दिक दृष्टया प्रबोधन करण्याच्या विचारात मनाची सुंदरता आहे.)
2 Transcendent beauty of HEART lies in its feeling to communicate emotionally.
( भावनिक संवाद साधन्यासाठी हृदयाची विलक्षण सुंदरता तिच्या संवेदनशीलतेत आहे.)
3 Transcendent beauty of EYES lies in its perception to observe deeply.
( डोळयांची अतुलनीय सुंदरता त्याच्या खोलवर निरीक्षण करण्यासाठीच्या दृष्टीकोनात आहे.)
Prof. Hemant Nagdive
In a contemplative worship of an art, very rarely, an artist enlightens with its divinity.
(कलेच्या चिंतनशिल उपासनेत क्वचितच एखाद्या कलाकाराला त्याच्या दिव्यत्वेचे प्रबुध्द प्राप्त होते.)
Prof. Hemant Nagdive
In the process of observing a work of art; mind, heart and eyes reciprocally activates with each other to provide perceptive insight.
(आकलनशक्तीचे अंर्तज्ञान व अंतर्दृष्टी प्रदान करण्यासाठी मन, हृदय आणि डोळे एकमेकाशी सक्रिय होतात कलाकृती पाहण्याच्या प्रक्रियेत)
Prof. Hemant Nagdive
An expression of abstract art is a spontaneous affinity of creativity reveals deep significances for visual perception and evoke emotions for their visual readers.
(अमूर्त कलेची अभिव्यक्ति ही सर्जनशीलतेच्या उत्स्फुर्त आत्मभावाचा खोल अर्थ प्रकट करतात दृश्य प्रबोधनासाठी आणि भावना उत्पन्न करतात दृश्य वाचकांसाठी)
Prof. Hemant Nagdive
"Creative cognition" enhance contemporary perspective of thinking, convey the contemplative conceptualization and cogitation comprehensively communicate.
(‘‘सर्जनशील ज्ञान’’ विचारांची समकालीन दृष्टीकोन वाढवते, चिंतनशील संकल्पना आणि सखोल अभ्यास व्यापकपणे व्यक्त करून संप्रेषित करते.)
Prof. Hemant Nagdive
Immense depth of contemplative meditation achieve eternal bliss of nothingness inspires to creative thinking and activates inner potential for self-enlightenment.
(चिंतनशील ध्यानाच्या अपरिमित गहनतेने प्राप्त झालेले शून्यतेच चिरंतन आनंद सर्जनशील विचारांना प्रेरित करतो आत्मप्रबोधनासाठी आणि आत्मज्ञानासाठी आंतरिक क्षमता सक्रिय करतो.)
Prof. Hemant Nagdive
Art is an absolute manifestation of an inner emotion.
(कला आंतरिक भावनांची पूर्ण अभिव्यक्ती आहे.)
Prof. Hemant Nagdive
If a work of art don't deserve to please the sight and senses, ignore it to criticize and consider its effortless pulse-less, breathless and thoughtless creation lacking in perception.
Prof. Hemant Nagdive
Art itself an absolute expression if it delights the senses.
(जर इंद्रिये आनंदित होत असतील तर ती कला स्वतःच एक परिपूर्ण अभिव्यक्ती आहे.)
Prof. Hemant Nagdive
Senses will be delighted when you will have an enormous capacity and passion to read a work of art.
(जेंव्हा आपल्याला कलाकृती वाचण्याची प्रचंड क्षमता व आवड असेल तेव्हाच इंद्रिये आनंदित होतील.)
Prof. Hemant Nagdive
Colour is a language of emotion convey divine flavours of feeling.
(रंग ही भावनेची भाषा आहे संवेदनेच्या दिव्य आस्वादाला व्यक्त करते.)
Prof. Hemant Nagdive
Evaluate your own endeavours, criticize your own creation and interpret your own insight before to analyze your own language of visual art.
(स्वतःच्या दृक कलेच्या भाषेचे विश्लेषण करण्यापूर्वी आधि आपल्या स्वतःच्या प्रयत्नांचे मुल्यांकन करा, आपल्या स्वतःच्या निर्मितिची गुणदोष विवेचन आणि आपल्या स्वतःच्या अंतदृष्टीचे अर्थ विशद करा.)
Prof. Hemant Nagdive
Beauty of observational skill enhances with grace of visual literacy.
(दृक साक्षरतेने निरीक्षण कौशल्याची सुंदरता वाढते.)
Prof. Hemant Nagdive
Artist in contemplation creates an ability to activate his inner potential to search an inner exploration for self-transformation. Self- transformation awakens the capacity of self-development for deep thinking in an imaginative and innovative way to achieve a specific object.
Prof. Hemant Nagdive
In being meditation an artist's passionate devotion creates a space for innovative and creative thinking; and a feeling of an experiential expressive emotions transform into inner voice of artist's expression to perceive divine flavours of enlightenment.
(ध्यानामध्ये कलाकाराची भावनिक निष्टा व समर्पित वृत्ति, अभिनव व सर्जनशील विचारासाठी एक जागा तयार करते, अनुभवजन्न्य अर्थपूर्ण भावनेची संवेदनशीलता कलाकाराच्या अभिव्यक्तीत त्याच्या अंर्तमनाच्या आवाजात रूपांतरित करून ज्ञानप्राप्तिचा, प्रबोधनप्राप्तिचा दिव्य आस्वाद संवेदित होण्यासाठी.)
Prof. Hemant Nagdive
Artist is an absolute eccentric genius, his essence of expression is eternal and enunciate, his swing of mood excitably in an idiosyncratic approach manifested with highly strong passionateness.
Prof. Hemant Nagdive
Elements of art and principles of art are the geometrical components of language of visual art in context of an artist's self-expression. Self-expression is a learned skill requires a dedicated practice, drill, exercise and discipline to well express for meaningful explanation, expression. A graceful visual language of art delights the senses and creates an appeal to their visual readers, observe to perceive with a sense of interpretation.
Prof. Hemant Nagdive
Abstract art is absolutely a divergent, critical and convergent thinking process of inner emotional thoughts and feelings of an artists, materializes to emanate in expression and to emerge in appearance through colour, form and line.
Prof. Hemant Nagdive
A work of art, endlessly, an unsatisfying search of artist's intellectual vision immerses in achieving eternal expression of emotion visible; eventually, this search of expression of inner feeling always makes him thirsty, eager and restless till his last breath……
Prof. Hemant Nagdive
Inwardness of an artist carries deepest values in the form of conceptual and emotional expression always to be feel, appear to be visible and its aesthetic essence to be interpreted in a work of art.
(कलाकार अंतर्मुख होऊन संकल्पनात्मक व भावनिक अभिव्यक्ती आणि त्याची सौंदर्यानुभवाशी संबंधित गहण मुल्ये कलाकृतिमध्ये दृष्यमान करून त्याची अनुभवित अभिव्यक्ती अर्थबोधित करतो.)
Prof. Hemant Nagdive
Artist always give new perceptive to his work of art (painting) by using cognitive process in creative context, thoughtfully involved for emotional expression and becomes impulsive in creative energy and spirit. He is highly sensitive in thinking and visionary for inner sight. His innate talents can be evoke and bloom with ebullient hard work, determination and sacrifices.
(कलाकार नेहमी सर्जनशील संदर्भात सज्ञानात्मक प्रक्रिया वापरून त्याच्या निर्मितीला नविन दृष्टीकोन देत भावनिक अभिव्यक्ती मध्ये गुंततो आणि सर्जनशील उर्जा व भावनांमध्ये वावरतो. विचारांमध्ये अत्यंत संवेदनशील, निर्मितिक्षम व आंतरिक दृष्टीसाठी स्वप्नाळूवृत्तीचा ध्येयवादी द्रष्टा हा कलेचा उपासक असतो. त्याची जन्मजात प्रतिभा विकसित होते, मोहरते व बहरते त्याच्या कठोर परिश्रम, दृढनिश्चय आणि त्यागाने.)
Prof. Hemant Nagdive
While articulating a space within a canvas, expose each element of art precisely to stand out clearly, distinctly and methodically stylize its graceful fluidity and spectacular continuity in a space for ebullience experience within a sphere of vision.
All articulated elements become a positive feature of the space and illuminate the exposed "forms" in reference to the illusion of depth created by light and dark (affects perception by the laws of perspective), "colour" contract transform tonal values in respect of visual weight, visual contrast and perception due to their hue and temperature and "lines" convey direction, motion and orientation of features absolutely adores a composition and becomes visual significant within a view of frame.
Prof. Hemant Nagdive
Artist is an enlightened being who realize eminence of his inner potential for envisioning expression.
(कलाकार एक प्रबुध्द व्यक्ती आहे जो त्याच्या कल्पनाशील अभिव्यक्तीच्या आंतरिक क्षमतेचे महत्व जाणतो.)
Prof. Hemant Nagdive
Art is a creative path towards a process of self-actualization and a spiritual path to search an artist's inner beauty of self-realization to achieve eternal bliss. His abstract painting is a manifestation of creative and continuous attempts and efforts. It is an insight of emotional expression and thoughtful flow of meditational energy which exists within an artist to explore it in visual expression significantly with conceptual awareness. It is a disciplined and dedicated practice for visual pleasure and creates a room to understand beauty of an emotional feelings and its aesthetic experience. An essence of creative and spiritual path and its creative potentiality delights the senses of visual readers.
(कला ही स्वतःची वास्तविकता विषद करण्याचा सर्जनशील मार्ग आहे तसेच कलाकाराच्या आंतरिक सौंदर्याची आत्मिक अनुभूतिने मिळणारा अनंत आनंद शोधण्याचा आध्यात्मिक मार्ग आहे आणि त्याच्या अमूर्त कलेची निर्मिती ही सर्जनशील प्रयत्नांची, परिश्रमांची अभिव्यक्ती आहे. ती कलाकाराच्या विचारशील ध्यान उर्जेच्या भावनिक प्रवाहाची अंतर्दृष्टी आहे व त्याला आत खोलवर वैचारिक जागरूकतेने लक्षपूर्वक शोधून दृश्य स्वरूपात अभिव्यक्त करणे हे कलाकाराच्या अस्तित्वात असते. ती एक समर्पित व अनुशासित पध्दत आहे दृष्य आनंदासाठी, सौदंर्याच्या भावनिक अनुभव व आध्यात्मिक मार्गाची सर्जनशील क्षमता समजण्यासाठी ती एक खोली तयार करते दृष्य वाचकांना मूलभूत भावना परिभाषित करून अनुभवित करण्यासाठी.)
Prof. Hemant Nagdive
1 Conceptual thinking skill for EXECUTION.
2 Perceptual thinking skill for INTERPRETATION - EVALUATION.
3 Visual thinking skill for OBSERVATION.
4 Critical thinking skill for APPRECIATION.
5 Congnitive thinking skill for PERFORMANCE.
Turns INVISIBLE VISIBLE.
Explained as follow:
Involves an ability to think creatively, analyse methodically and understand clearly intricate, abstract ideas and to organize their enhancing insights structurally in a visible form for EXECUTION.
Involves an ability to develop imagination, accurately process it to analyze what is seen and give it a logical, cognitive meaning for INTERPRETATION.
Involves an ability to organise thoughts and improve an ability to externalize inner thinking processes, making them clearer, explicit easily understandable and actionable for OBSERVATION.
Critical thinking has four components : Objectively, analysis, evalution and judgement involve an ability to understand logically the objective analysis and evaluation of an issue in order to form a judgement.
Involves an ability to think, read, learn, remember, reason, pay attention, understand to evaluate and decide for PERFORMANCE as Google tells us.
Prof. Hemant Nagdive
When an innate and natural inherent ability transforms into a creative thinking and imaginative conceptual idea develops a skill to look at a problem and makes a path to innvovation with strong and unique potentials which is enshrined deep within an artist for exploration. He expresses himself eloquently through internal perspectives of his emotional feeling very distinctively in a work of art enhanced with aesthetic pleasure and congnitive pleasure for creative and perceptual interpretations.
Prof. Hemant Nagdive
Towards unusual vision and insight : explores inventive approaches manifested in the presentation of art with a process of conceptual and perceptual feasibility study.
Towards unusual execution and presentation : explores experimental approaches manipulated in achieving appropriate, specific and acceptable results in the presentation of art with a process of paints, medium, accessories and tool applicability study.
Towards unusual innate ways of self-expression : explores observational approaches with a process of saying things visualy and voice them to provide meaning and understanding enshrined in the interpretability study.
These are the essetial aspects of academic discipline towards professionalism for a spark of achievement.
Prof. Hemant Nagdive
Feelings in art represents emotional appeal of an artist's perception convey an essence of intrinsic ideas and concepts aesthetically pleasing with intentional meaning.
Prof. Hemant Nagdive
Abstraction is a cognitive process involves a skill of transforming inner vision and insight into emotional thinking, feeling and imagationation and enhance its expression spontaneously for visual apperance with thoughtfull contemplation and intellectual deliberation through experimental approches, continues attempts and meaningful efforts for successfull execution and performance.
Prof. Hemant Nagdive
Immaculate performance with meraki communicates visionary thinking creatively, insightfully, skilfully, ingeniously, expertly and logically for perceptual interpretation.
Prof. Hemant Nagdive
In art education ethical values boost a sense of creativity for contemplative outcome because it refrains and desists from negative thoughts and gratitude towards positive thoughts, feelings and impulses which humanize the optimistic characters and attitudes and make them more appealing to the students for becoming exteremely observant and conversant.
Prof. Hemant Nagdive
Abstraction is a conception, ideational, notional, abstruse, obscure, esoteric and absolute form of expression where essence of the object and its intrinsic components strip away all nonessential characteristics and reduce the images in a perceptible feature for visual perception to a schematic sequence and systemization.
Artist with philosophical insight express his moods and feelings through such characteristics of abstaraction in a visual language of shape, form, colour, and line to create a composition which constitute an individual style of presentation for their perceptible viewers.
Prof. Hemant Nagdive
Form is not a space filler or cosmetic agent. Form has its own function, its purposeful twist enhance expressive values to describe a meaning in a space determining the characteristics of an intent and also acts as an emotional agent to achive an artist's expression.
Prof. Hemant Nagdive
Form craetes an aesthetic emotions, its beauty lies in its functional value for visual perception.
Prof. Hemant Nagdive
Beauty in painting is a passionate plea of an artist emotions, perceptibly waves its strand of communication as an impulsive gesture of feeling for aesthetic interpretation and visual-appreciation for hypomania.
Prof. Hemant Nagdive
Subliminal-self should be optimistic perspective in expression with unusual vision, insight and perception in artist painting.
Prof. Hemant Nagdive
Art is a form of self-expression appeals to the senses.
Art genetates an anxiety to enjoy a pleasure in search of its meaning.
Art explores the characteristics of perception to provoke pleasure.
Art creates a heightened pleasure of beauty to delight the senses and nourish emotions.
Art evokes emotions to communicate feelings.
Prof. Hemant Nagdive
A passionate inner vision of an artist directs his eunoia to flow with elan and eloquence from heart; allows it to explore purely and clearly in its cognitive approach to creative expression and present it with consummate excellence for visual perception.
Prof. Hemant Nagdive
Craetive thinking involves opening and revealing yourself, increases exceptional ability and potentiality to actualize your own vision and achieves heightened awareness with intellectual insights.
Prof. Hemant Nagdive
Passionate inner vision of an artist with emotional depth excites a language of visual voice to create a work of art.
Prof. Hemant Nagdive
Perceptive potentials of a paintings must provide profound insights which helps visual search to evaluate by assessing how an artist portray his inner emotions in an easily accessible way to its perceptible viewers straight to the greate admiral.
Prof. Hemant Nagdive
Piercing look of the viewers carefully read the representative elements of an artist's emotions in a painting what they intended to show you and how to show you the visual perception of an artist's inner insight visually conveyed.
Prof. Hemant Nagdive
An artist is insanely passionate for his perception, emotionally excitable for his expression, and creates contemplative vision for his interpretation.
Prof. Hemant Nagdive
An introvert artist has an acute congnition and prefers to be cosy in "stoic silence", but it endures to lonliness and affects their perception and also controls outburst emotions to come out.
Prof. Hemant Nagdive
Artist is an activist of his own inner expression.
Prof. Hemant Nagdive
Painting is a painters's vision, if visible, perceptible to the eye; if invisible, interpretable to the mind.
Prof. Hemant Nagdive
Visually eloquent to its purpose
Prof. Hemant Nagdive
Design provides an outlet that explores creative impulse to an inner urge to design aesthetically in its look, appearance and functionally in its performance for a communicative and purposeful value.
Prof. Hemant Nagdive
Delights my inner being
Prof. Hemant Nagdive
How to exercise my critical thinking,
How to discipline my perceptive thinking and
How to conceptualize my logical opinion.
Prof. Hemant Nagdive
Look and feel of visual components of art are creatively expressed to signify the artist's thought, insight, vision, inventiveness as to please the senses for appreciation and contemplation within a work of art.
Prof. Hemant Nagdive
Art is an inner voice of an artist's emotion. Inner voices of emotion get immersed in the deep flow of creative journey of thinking to drill down essential search of meaning and purposes of expression conduce to the imagination. Imagination flows with élan and eloquent from heart and soul of an artist and imbues with a sense of beauty.
Prof. Hemant Nagdive
Painting …..Represents and constitute to express a visual language of inner feelings of an artist and narrates his inner concepts imbued with inner sense of delightful optimism and engage the casual observer for perception and interpretation and provides exposure to become an informed observer and bring a deep smile to their mind.
Prof. Hemant Nagdive
Any human being acts as per his brains order. A brain is nourished and nurtured with visualisation (form an image in the mind to communicate a meaningful message), imagination (form a mental picture and think to believe and assume in its inherent creativity and insight) and conceptualization (form an idea, concept and develops ability to understand its creative articulation of values) by critical study, hard practice and perceptive observation around and becomes being human.
Prof. Hemant Nagdive
Mind and soul is invisible in its form, but visible in a work of art and represents an expression of artist's brain and heart.
Prof. Hemant Nagdive
Modern neuroscience revealed that a painting is a vision of artist's brain and its beauty is in the brain of the beholder.
Prof. Hemant Nagdive
A work of art begins to contemplate its meaning with an astonishing creative visual twist, impulsively harmonize with indistinct form, impassioned colour harmony emotionally responding to its perception with a sense of purpose, meaning and feeling evokes in the viewer.
Prof. Hemant Nagdive
Whenever visual form conversant for its intend and purpose and formulate composition for assessing the effectiveness due to its sense perception.
Whenever colour speaks for its emotional feeling and mood and interprets colour to meaning
Whenever line urge for its feeling of expression and communication of ideas then be assure confidently inclined to pick the brush for painting and track it for expression.
Prof. Hemant Nagdive
Artist's prayer is an imagination of ideas, images and concepts for visual development.
Artist's meditation is a realisation of conceptual understanding for freedom in creativity and an intellectual achievement for purposeful performance.
Artist's enlightenment is an exploration of searching for the successful perception of an intended vision.
Prof. Hemant Nagdive
Painting is a vision of mind's eye represents artist's cognitive insight, and function.
Prof. Hemant Nagdive
Abstract art is technically a style of painting and visual language of abstractionist's revolutionary voice to their sufferings and feelings through which they have communicated their emotions, memories, inner spirit and inner strength. With the beginning of the 20th Century painters immersed in their work and changed the revolutionary voice in newly developed visual expression of emotional enthusiasm for personal pleasure and embraced it with striking and spectacular visual effects. Forms, shape, colour and line blossoms with harmony of beauty and became deeper, personal and visually stimulating, as a result viewers became thrust and plunge deeply into the stunning expression of painting for visual pleasure and feeling of astonishment and wonder.
Prof. Hemant Nagdive
Abstract art is an expression of an artist's feeling exists within his vision and dream up his deep thinking in a form of emotional display.
Prof. Hemant Nagdive
In painting, "composition" describes the characterization of creative form which is nourished with the meaning of colours, language of lines, values of shapes, moods of emotion with vision and style and harmonizes them for specific task, meaningful expression creatively and perceptively explores for interpretation based on viewers feelings, opinions or aesthetic sensibilities.
Prof. Hemant Nagdive
Abstract art should not be a jugglery of forms and colours, unknowingly or blindly not to be followed or adopted exteriority of the western canvas they painted, without understanding its core values and their form's philosophy they choose to reveal its distinctive aspects, instils and interprets in depth its appearance and look for their visually literate observer.
Prof. Hemant Nagdive
Abstract art is an artist's inner expression of feelings and emotions. It is a spiritual language of visual communication in which we don't see that exists and search which we see.
जे आहे ते दिसत नाही व
जे दिसते ते शोधतो.
Seeing is a process to search inner characters for an insightful vision and perceptively observes through senses and interprets on an expression.
Prof. Hemant Nagdive
Everything ends in a Dot…
Dot is a visual form,
Dot represents a seed of spirituality related to feelings and emotions only where centrifugal and centripetal hidden forces awakening an inner expression and transforming an inner crave of an artist through visual form within a space.
Prof. Hemant Nagdive
The language of art does not need words to understand, it can be conversant only with perceptive observation, skilful taste and insightful experience.
Prof. Hemant Nagdive
Paint your thought-provoking potential till your visual pleasure and purposeful performance.
Prof. Hemant Nagdive
Illuminate strong individuality through your work with determined efforts and continuous attempts.
Prof. Hemant Nagdive
Keep your hope, passion and vision alive to flourish and welcome end-product in bloom.
Prof. Hemant Nagdive
Crave your hope
to motivate a sense of success,
Change your passion
to ignite a fire in heart, and
Cherish your vision
to carry a strategy into reality
Prof. Hemant Nagdive
Art is a language of vision. It has an immense potential to attract intense interest and carry intelligent strategies to constitute innovative thinking and unusual imagination of an artist and humanize his thoughts, feelings, emotions and impulses in a form of a self-expression.
Prof. Hemant Nagdive
In design, my attitude always envision the contents to evoke an emotions, feelings and delight the senses according to the ambience, aura, mood and spirit of the subject.
Prof. Hemant Nagdive
Art is an unspoken language of an artist, its intent is to evoke an emotions and radiate feelings in an observer.
Prof. Hemant Nagdive
Beauty in art is a nourished value of intended emotions and desired concepts its intent is to access sensual pleasure and delight the senses of an observer.
Aesthetic in art is a philosophical study of beauty and taste, its intent is to assess a discipline concerned with the perception, appreciation and production for an observer.
Prof. Hemant Nagdive
In abstract paintings, envisioned contents interact to convey an attitude of one's thoughts which evokes exciting emotions and instinctive feelings. Observers require patience to understand.
Prof. Hemant Nagdive
In painting images interplay within a space with a particular mood and enhance visual sense of emotions and feelings and transform a logic of its purpose.
Then observer exercises his interpretation as per frame of reference he possesses.
Prof. Hemant Nagdive
For eventual mark of excellence, let them allow to develop their own concept which is inborn to explore.
Prof. Hemant Nagdive
Apart from prescribe syllabus and its application to explore avenues of academic disciplines, the roll of a teacher also becomes a catalytic agent for nursing the desire of the students and their innate curiosity.
Prof. Hemant Nagdive
Designer with inherent and innate thinking translate his vision into design, to explore the solution of desired needs of the people or client with ethical and aesthetical manner for enliven, effective and excellent visual communication.
Prof. Hemant Nagdive
Designer is a visual literate, creative intellect, graphic innovator, message blender, and form developer who infuse and expose the text and content to enhance and to resonate highly creative inputs and ideas for intended target audience considering to explore the values of need and desire for cultural community.
Prof. Hemant Nagdive
Art is a fusion of acquired skill, style and self expression through creative thinking and visualization on desired subject and its application and execution in an aesthetic manner.
Prof. Hemant Nagdive
A sculpture is an object in space interprets the beauty within and around its form intent to enliven and enhance an environment as well as to inspire the observer.
Prof. Hemant Nagdive
To design a painting means, translate an innate vision and understanding of subject, idea or concept with highly technical process and its skilful application on canvas.
Prof. Hemant Nagdive
To me creative design is like a riddle, painful to solve, once solved gives an endless immense pleasure to enjoy.
Prof. Hemant Nagdive
Still, I am working on my own design as a consultant, not as a processor due to my physical and technical inability.
Prof. Hemant Nagdive
Designer's voice should be distinct in its implementation, intensely visualized in its conception, and modernism or contemporary in its application.
Prof. Hemant Nagdive
To me size of the painting and its distance to observe, play of light and its intensity to illuminate, and volume of space and its execution to display matters to enjoy the visual pleasure and rich insight of the painting.
Prof. Hemant Nagdive
Visual voice of ugly letters of Devnagari fonts tease and instigate me to design them until they narrate their visual speech for design excellence.
Prof. Hemant Nagdive
Visual aesthetics in type designing leads to visual pleasure for their visual audiences / readers.
Prof. Hemant Nagdive
Design excellence in typography enhances and enriches the pleasure of reading.
Prof. Hemant Nagdive
To me painting is a vision of artist innate expression which transforms from personal space to public space for the readers of the language of forms.
Prof. Hemant Nagdive
If your passion paints a painting it will definitely speak to their visual audiences.
Prof. Hemant Nagdive
Style in art and design is hard to search and hunt but possible to achieve.
Prof. Hemant Nagdive
Graphic designer is a message communicator who visualizes thought development process, conceive an innovative idea, enhance functional aesthetics in execution through digital technology and at last adorn its graphic styling with cosmetic application for visual pleasure.
Prof. Hemant Nagdive
Technography – is defined as a computer aided picture may be without theme or purpose created for purely visual pleasure and aesthetics.
Prof. Hemant Nagdive
Creativity is a searching process for an essence of core values of unusual thoughts; concepts or ideas for intend cause.
Prof. Hemant Nagdive
Each letter of Devanagri has a unique personality in its form, an elegant character in its look, which inspired me to design them for message enhancement for visual readers.
Prof. Hemant Nagdive
I speculate my passion only for self-actualization .
Prof. Hemant Nagdive
Designers can en-cash a creative thinking from idea bank if an account of visual and reading literacy they hold.
Prof. Hemant Nagdive
Design creates vision
Vision carries values
Values conveys massage
Message campaigns mission
Mission contributes culture
Culture conditions the lives.
Prof. Hemant Nagdive
My work is a vision of my imagination.
Prof. Hemant Nagdive
Art school is to nourish with the grammar of language of art.
Prof. Hemant Nagdive
Acceptance and rejection always helps to grow, it depends how an artist mind it.
Prof. Hemant Nagdive
An innovative expression needs a blend of burning desire and intellectual efforts.
Prof. Hemant Nagdive
Design is the language of communication which also mirrors the designer's performance.
Prof. Hemant Nagdive
Creativity is a process of thinking towards uncommon.
Prof. Hemant Nagdive
VISUAL LITERACY enrich the language of visual form for visual readers.
Prof. Hemant Nagdive
A designer is free to voice his opinion. His voice needs to be clear in expression, deep in thought and contemporary in its application.
Prof. Hemant Nagdive
In design, articulate all the elements aesthetically by appearance and evaluate, access all the contents subjectively and objectively. Each design requires visual innovation, remarkable sense of freedom for expression and creative approach for simplicity, modernity and readability.
Prof. Hemant Nagdive
Today design is a visual language and communicates on an emotional level. Every designer has a tendency to invent his own language for emotive response which graces the audience mind.
Prof. Hemant Nagdive
अभ्यासिलेल्या कलाघटकांची मूलभुत कलातत्वाची सखोल गर्भचिंतनातून अर्थबोधित विवेचनात्मक विचारधारेची, इन्द्रियाला जाणवणारी भावस्पर्शी संवेदनशीलतेची, दृश्यरूपाने अविष्कृत झालेली सर्जनशील रचना म्हणजे कलाकृती.
प्रा. हेमंत नागदिवे
Design offers a message for awareness
Message offers a value for human
Value offers a product/ service for choice
Product/service offers a demand for selection
Demand offers a sell for customer
Sell offers a confidence for purchase
& with confidence you educate consumer for market
Prof. Hemant Nagdive
GRID in design arrests our vision and order concerned elements to expose in a pleasing appearance under the laws of visual organization, and laws of visibility.
Prof. Hemant Nagdive
CONFIDENCE can enhance your determination only in absence of self-conceit.
Prof. Hemant Nagdive
VISUAL LITERACY is a combustible exponent that fuels the creativity to erupt.
Prof. Hemant Nagdive
Beauty in design emerges in its simplicity and simplicity is always a complicated act and make you to think.
Prof. Hemant Nagdive
If the rules of design obstruct the freedom of expression and space for creativity, definitely break the rules. Rules in design only instruct to follow or observe, not compel to obey.
Prof. Hemant Nagdive
BEAUTY in design is not ambiguous it happens to appear unknowingly with experimental learning.
Prof. Hemant Nagdive
AESTHETIC in design is not about having a visual pleasure. It's about having a pleasing appearance of FORM and CONTENT.
Prof. Hemant Nagdive
BEAUTY in design is not only about enhancing visual taste, it's about delighting the SENSES.
Prof. Hemant Nagdive
Every designer visualizes from his own spirit and creates his own outlook into his visual.
Prof. Hemant Nagdive
CREATIVITY is a fire of passion that burns within for outcome of innovative intent.
Prof. Hemant Nagdive
The mission of a 'designer' is to offer a vision of 'awareness' to their target audience.
Prof. Hemant Nagdive
OPPORTUNITY can't get back once it's missed.
Prof. Hemant Nagdive
Design is the language of communication, which also mirrors the designer's performance.
Prof. Hemant Nagdive
Creativity is a process of thinking towards uncommon.
Prof. Hemant Nagdive
Acceptance and rejection always leads to grow, it depends how an artist mind it.
Prof. Hemant Nagdive
If an artist possesses a burning desire and intellectual efforts; innovative expression bounds to come out.
Prof. Hemant Nagdive
Design may not deliver the visual message effectively unless explores the subject precisely and enhance the form / content aesthetically.
Prof. Hemant Nagdive
The purpose of design is to carry the message of its mission and values.
Prof. Hemant Nagdive
My work is a mission of my imagination.
Prof. Hemant Nagdive
An Art school is to nourish with the grammar of language of art.
Prof. Hemant Nagdive
An innovative expression needs a blend of burning desire and intellectual efforts.
Prof. Hemant Nagdive
Visual literacy enhance the perception, enrich the understanding of seeing, and passionate your inner vision for self-expression.
Prof. Hemant Nagdive
'AESTHETIC' in ART means a feeling of visual pleasure and taste, created through the picturesque theories of visual organization.
Aesthetic in Design means an understanding of visual language, its meaning, character, function and opinion created through the perceptual theories of visual communication.
In short, in both the forms, appreciation of beauty which delights the senses, and pleasing appearance which enhances the expressive properties of an object, image and work is a common intent in view.
Prof. Hemant Nagdive
Technical skill of a designer can only shape the content strategy of a message and can voice the opinion also, but rigorous strategic thinking of a designer can reveal the new task, dimensions for innovative approach, potential for creative solution, and beauty of the concept behind the design.
Prof. Hemant Nagdive
Limited colour palette and maximum use of typeface families can enhance the visibility and graphical look of a design.
Prof. Hemant Nagdive
In design....
Every assignment is a problem,
Every problem is a challenge,
Every challenge you have to accept it to resolve.
Prof. Hemant Nagdive
Determine the content strategy in design. Once you realize the intended meaning, utilize your passion to reach the goal.
Prof. Hemant Nagdive
Passion blooms enthusiastically, once understand an essence of determination.
भावना खुप उत्साहितपणे बहरते, जेंव्हा तीला निश्चयतेचा विशेष अर्थ कळतो.
Prof. Hemant Nagdive
'DESIGNER' turn up invisible into visible and make you to understand & 'ARTIST' turn up invisible into visible and make you think to understand.
Prof. Hemant Nagdive
Analyses always renew your aspect of thinking and helps complex task to understand. Because mind enhances creative thoughts, emotional feelings, vivid perception, distinct approaches and strong impulses due to right passion and intense desire. But at the same time mind also creates complex thoughts for confusion. Confusion may lead to frustration and frustration is a dangerous thing for thinking.
Learn to manage the complex thoughts, and cultivate them to discriminate in terms of discipline for right thinking and analyse them to understand for expected and desired result.
Prof. Hemant Nagdive
It is said all the artist and designer are creator of their own destiny.
But destiny depends on a perseverance of controlled desires. Destiny of all the artist and designer is in their personal and right efforts and effort has to keep patience, patience creates a space to think, imagine and room to search from UNKNOWN TO KNOWN.
Unknown is a ray of hope, conceals a depth of imagination. It hides inner voice of intuition, innate values of determined motives and thoughts, feeling of intense and burning desire, an excited appeal of hardship associated with efforts for critical thinking and continuous attempts to achieve an intended goal, which intellectually arises to bloom and explore, and come out to flow eloquently.
Prof. Hemant Nagdive
You learn to analyse the things with understanding where findings for judgement has a full right.
You learn to follow the things with understanding where expressions for remark have a full right.
Prof. Hemant Nagdive
You learn to follow the things with understanding where expressions for remark have a full right.
Prof. Hemant Nagdive
Objectives, thoughts, concepts and perception constitutes our vision of thinking.
Prof. Hemant Nagdive
Painting is a revelation process of artist inventive and insightful imagination, application of uncommon and unusual techniques, and development of unseen forms as to cultivate and branch out them for novel values, expression of artist opinion for critical thinking in an analytical and perceptive approach to achieve a distinct and definite aspiration. Besides, it is an investigative search for different avenues of communication, conversation and interaction.
Prof. Hemant Nagdive
Simplicity in design becomes a complex task to resolve, unless you read the space gracefully with mind's eye for unique and unusual aesthetic pleasure.
Prof. Hemant Nagdive
Keep patience!
Innovative concepts take time to bloom,
Keep patience!
Innovative executions need time to comprehend.
Prof. Hemant Nagdive
Teacher's opinion is an advice; its acceptance is a student's perspective.
Prof. Hemant Nagdive
Abstract art is a revolutionary exploration of inventive thinking envisioned with creative visual input and inner realities; more intricate, intrigue and deep to understand but, be intensely affectionate and passionate due to its pleasing visual harmony.
Prof. Hemant Nagdive
Academic achiever's insightful painstaking intellectual efforts and vigorous struggle mirrors in professional performance for exclusive-success.
Prof. Hemant Nagdive
Creativity is a thinking process to solve problems with inventive approach in a remarkable and uncomman manner.
Prof. Hemant Nagdive
Paining is a supreme instance of an artist's inventive emotional expression and exploration with potential values of creativity. Creativity of an artist works admirably unless his curiosity, passion, knowledge and dedicatiion innovatively reflects into their works due to divergent thinking and constructive imagination.
Prof. Hemant Nagdive
Observers curiosity of looking involves to read aesthetic pleasure in painting and tries to understand meaning - making proccess. At the same time process of perception and interpretation involves a conversation and communication between image and beholder and narrates its disting wishing features of expression.
Prof. Hemant Nagdive
Learn to think thoughtfully,
Think to solve insightfully,
Solve to crack succussfully,
Crack to achive passionately.
Passionate Achievement blossoms with the beauty of efforts.
Prof. Hemant Nagdive
Thoughtful imagination,
Purposeful observation,
Contemplative interpretation,
Expressive conversation,
Interactive communication, and v
Perceptive transformation
Inform vision to read a painting.
It is indeed in need to explain contextually as follow :
In thoughtful imagination, observe painting as a process of imagining with purpose, technique and style with essential skill and convert them to see and feel as per visualization
In purposeful observation, observe painting without judging and interpret with recognition of the subject.
In contemplative interpretation, observe in painting a meaning of the object through execution, presentation with profound thinking and thoughtful looking and search outstanding peculiarities in the usual or normal.
In expressive conversation, observe in painting its internal impulse, personal vision with contextual thinking and creative interpretation.
In interactive communication, observe in painting and exchange of information between viewer's and the artists perception.
In perceptive transformation, observe a painting with visual ability, it transforms a concept, idea and emotion of an artist into new objects and images and convey inner meaning through senses.
Prof. Hemant Nagdive
Abstract art means artist's absolute love for visual and emotional elements visually expressed with descriptive, interpretive and evaluative values for analytical observation.
Prof. Hemant Nagdive
Abstract art means visual expression of an artist's inner emotions needs a visual literacy to read.
Prof. Hemant Nagdive
"Art" is a form of expression, its deep and unconditional "prayer" is an intellectual endeavour for meaningful achievement and its mindful "meditation" reveals potential from deep within for self-transcendence.
Prof. Hemant Nagdive
Observed a work of art from your soulful vision and every heart, mind and concern will perceive its inner journey of expression.
Prof. Hemant Nagdive
Artist beholds a beatific vision for self-communication
Observer beholds a perceptive vision for self-interpretation.
Prof. Hemant Nagdive
Designer is a catalyst that triggers an observation intent, and experience to develop and to achieve a vision for new ideas, create new avenues for divergent thinking and infuses them into his work for their mindful audiences.
Prof. Hemant Nagdive
Art is a form of "expression",
Artist expresses thought and feeling
Thought creates feeling,
Feeling creates emotion,
Emotion derives mood,
Instinctive or intuitive feelings and
Attain to a perfect happiness.
Happiness comes from seeing.
Seeing is a process to search an inner character for an insightful vision and perceptively observes it through senses and interprets an 'expression"
Prof. Hemant Nagdive
Colour carries its own meaning, temperament and character for visual expression. Colour arrest your vision due to its descriptive characteristics i.e. hue, saturation, temperature and value, Colour also unify, rhythm, emphasis, visual for and harmonized the composition due to varies effects. Colours sensitivity transforms its visual value for emotional expression.
Colours are applied as per mental attitude of "users" perception and express his own meaning to them. Colours may have their own meaning for feelings but artist assign their own values to them and articulate a visual voice for inventive expression.
Form has a respiratory value in its own breathing space. It inhales to hold its occupancy in exposed area to grip an emotional feeling of contents and exhales to exhibit its creative and intended values to understand
Form possess a centrifugal and centripetal forces within themselves in an exposed space and expresses a visual and emotional bounding with other co-related visible and invisible elements and celebrate its visual harmony to express.
Interaction of COLOUR and FORM whispers the visual voice to narrate their affinity with intrinsic features for effective communication and nourishes observers mind for the process of perception.
When observer come close to understand the painter's perceptive and dissolves himself inside the contents to grasp and interpret the emotional level of expression can only enjoy and feel the respiratory rhythm of form and colour in painting.
Prof. Hemant Nagdive
(Line, form, shape, colour, space, texture and value)
Has a potential to carry self-descriptive properties of expression its perceptive and percipient values varies as per the "users' perception and interpretation
Prof. Hemant Nagdive
(unity, repetitions, emphasis, harmony, variety, balance, movement, rhythm, gradation and proportion)
Has a potential to carry self-descriptive features of organized composition to achieve a view point, frame of mind, perspective and a sense of perception aesthetically interpretive subject to expression.
Prof. Hemant Nagdive
In art education ethical values boost a sense of creativity for contemplative outcome because it refrains and desists from negative thoughts and gratitudes towards positive thoughts, feelings and impulses which humanize the optimistic charecters and attitudes and make them more appealing to the students for becoming extremely observant and conversant.
Prof. Hemant Nagdive